Friday, August 2, 2024

To the Lighthouse: A Rhetorical Device, Sarcasm

Sarcasm is a form of verbal irony that mocks, ridicules, or expresses CONTEMP, and the word itself is derived from the Greek "sarkasmos:"  “sark” meaning “flesh,” and “asmos” meaning “to tear or rip.” So it  literally means "ripping flesh” – a pretty bloody image for a type of speech that we use all the time! (Literary Terms: Sarcasm)

And 

Sarcasm all around the world is always against right wing and against people in power. That's the definition of political sarcasm.

-- Bassem Youssef, Egyptian-American comedian, television host, and surgeon

Sarcasm helps me overcome the harshness of the reality we live, eases the pain of scars. 

-- Mahmoud Darwish, poet of Palestinian resistance (1941-2008)


Here are my tanka prose about the Israel-Hamas War and tanka about writing in a time of war for your reflections:

it’s peaceful now

M-16 rifles are blooming, 2000-pound bombs singing, and Merkava tanks sweeping the streets.

Gaza is cleaner than ever, clean of blood-covered children. Yet, somewhere among the rubble the only moving thing is a boy’s eyes that look up to Heaven.

a mural
on the separation wall
of the West Bank:
in midair a girl grasps
a bunch of rainbow balloons


And

Against the Drowning Noise of Other Words, LXXVII: "flares and blasts"

Gaza's sky
grows red with flares and blasts --
with night news on mute
eyes closed and ears covered
a poet pens, skylark's trilling



FYI: Two more examples:

petal after petal
red on red
how many
layers of makeup
to look undead

Tanka Society of America's Special Feature: "Work," April 5, 2023

Lorelyn De la Cruz Arevalo

Commentary: Unexpected yet thematically significant and visually and emotionally sarcastic L5 (part of this rhetorical question in Ls 3-5) sharpens the contrasts (natural vs man-made, intrinsic vs socioculturally constructed/gendered, ...) between "red petals" in Ls 1&2 and "facial makeup" in Ls 3&4.

And the effective use of syntactic parallelism in Ls 1&2 also highlights the contrasts, adding visual and emotional significance to the tanka.


diner's dumpster overfilled ...
a gray-haired man and flies feast
in gathering dusk

A Fly on a Slice of Bread, 2024

Sanja Domenuš

Commentary: The contrast, "diner's dumpster overfilled" vs a "gray-haired/most likely homeless man and flies feast[ing]," between the two parts of the haiku is sharpened by its sarcastic tone.

This fine haiku is a timely and sociopolitically ironic commentary on the following remark:

Eating is earthly but feasting together is divine.

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