Showing posts with label sociopolitics. Show all posts
Showing posts with label sociopolitics. Show all posts

Monday, August 17, 2026

A Room of My Own: Dayandnightmare

Trump Empire, Inc.: C
a senryu-inflected, visual haibun

A red brick wall fills my field of vision; its perimeters are out of sight.

MAGAMAGA
echoingback
MAGAMAGA


Added:

The Sound of Absence 
a senryu-inflected, visual haibun

Bedroom door slammed shut, I'm left to my own devices.

finger scrolling
OnlyFansSexTubePornDude ...
one stray outbarks the rest


Added:

the moan of a dove ...
my wife replies, I fake it
until you make it

Tuesday, August 4, 2026

Butterfly Dream: Salamander Haiku by Fay Aoyagi

English Original

salamander
gerrymandering
river stones

Mariposa, 48, Spring/Summer 2023

Fay Aoyagi


Chinese Translation (Traditional)

蠑螈
將一堆河石劃分成
大小不勻的區塊

Chinese Translation (Simplified)

蝾螈
将一堆河石划分成
大小不匀的区块

 
Bio Sketch

Fay Aoyagi (青柳飛)was born in Tokyo and immigrated to the U.S. in 1982. She is currently a member of Haiku Society of America and Haiku Poets of Northern California. She serves as an associate editor of The Heron's Nest.  She also writes in Japanese and belongs to two Japanese haiku groups; Ten'I (天為) and "Aki"(秋), and  she is a member of Haijin Kyokai (俳人協会).

Sunday, August 2, 2026

Biting NOT Barking: Arms Deal Haiku by Simon Hanson

English Original

arms deal
prosthetic legs, too

Simon Hanson


Chinese Translation (Traditional)

武器交易
還有, 義肢

Chinese Translation (Simplified)

武器交易
还有, 义肢


Bio Sketch

Simon Hanson lives in forested Tasmania in the company of animals and birds and the sounds of a trickling creek. Formerly Secretary to the Australian Haiku Society he is currently co-editor of Echidna Tracks. He has an e-book collection; Desert Stones (Snapshot Press) freely available here for you. 

Monday, July 27, 2026

Reading More and Writing Better: Cockroaches Kyoka

Realm of Contagious Stupidity, II
In response to India's "cockroach" movement

what if 
all cockroaches come together?
punch after punch
stamp upon stamp
across The Metamorphosis

Chen-ou Liu


FYI: Ls 1&2, "what if all cockroaches come together?," refer to the viral, youth-led Cockroach Janta Party (CJP) movement in India.

The structure of this politically satirical kyōka is built around a reversal of the premise of Kafka's The Metamorphosis.

Politically allusive, Ls 1–2—"what if / all cockroaches come together?"—invite the reader to suspend Kafka's world of isolation and imagine an alternative. Structurally, these opening lines establish possibility.

The poem then shifts from collective imagination to kinetic action. The question immediately becomes movement:

punch after punch
stamp upon stamp

The repetition gives the kyōka momentum. Notice that neither line has an explicit subject; instead, the actions themselves accumulate. This omission makes the movement feel collective and anonymous, fitting the Cockroach Janta Party (CJP) premise that no single individual matters as much as the mass.

Syntactically, the parallelism of Ls 3–4 mimics waves or marching rhythms. It also echoes the cadence of protest chants, where repetition itself becomes force.

L5 changes the scale:

across The Metamorphosis

Up to this point, the kyōka exists within a contemporary political moment. The final line suddenly relocates everything into literature.

This is the poem's real structural surprise. It imagines the protest unfolding across the pages of Kafka's novella.

The direction is significant.

Not inside the book.
Not against the book.
But across it.

That preposition suggests movement over, through, and beyond the literary text.

The kyōka thus reverses Kafka's narrative trajectory.

Kafka's salesman Gregor Samsa is

isolated,
immobilized,
increasingly silent,
ultimately erased.

The kyōka proceeds in precisely the opposite direction.

Instead of
one insect → death
we have
many insects → motion.

The poem begins with a topical, even humorous premise—"cockroaches" organizing politically. It develops that premise through rhythmic repetition before culminating in an unexpected literary reframing that transforms the joke into a critique.

The kyōka's deepest move is not simply its satire of a particular political moment; it is its reversal of The Metamorphosis. Kafka's insect is tragic because he is alone. The "cockroaches" in the kyōka become politically potent precisely because they are together. That inversion gives the poem its structural coherence and its strongest literary resonance.

Friday, July 10, 2026

Reading More and Writing Better: War and Peace Tanka

Trump Empire, Inc., XCIX
written in response to The Washington Post, July 9 2026
Trump reopens the Iran war — and a political problem he can’t shake

firefly light on, off ...
the porch breeze leafing 
through a worn copy
of War and Peace
as Trump news is muted


FYI: Leo Tolstoy's War and Peace is famously vast, historical, and weighty. In Ls 2–4, the "porch breeze leafing / through a worn copy / of War and Peace" creates a striking paradox: a gentle force of nature effortlessly turns the pages of one of literature's great meditations on humanity's heaviest conflicts. The image also animates the book, as though history itself is quietly being revisited.

The "worn copy" carries additional resonance. It suggests a book returned to over many years, perhaps for solace, reflection, or perspective. Its physical wear stands in contrast to the fleeting, relentless cycle of contemporary news. By placing War and Peace within the scene, the tanka frames current events against the backdrop of history, implying that war, political upheaval, and struggles for power are enduring features of the human condition.

L5 firmly anchors the tanka in the present: "as Trump news is muted." Rather than announcing an escape from politics, the tanka simply records the act of muting the broadcast. The news remains present, but it is relegated to the periphery of attention, becoming another element of the evening rather than its defining focus.

This restraint is what gives the tanka much of its power. Had L 5 stated "to escape Trump news," it would have imposed a single interpretation. Instead, the juxtaposition invites readers to consider Tolstoy's exploration of war, power, and ordinary lives alongside the contemporary moment without insisting on a particular conclusion.

The tanka ultimately contrasts two ways of encountering conflict: the enduring, reflective perspective of literature and the immediate, incessant rhythm of modern news. It does not claim that one is superior to the other. Rather, it allows both to coexist within the same quiet evening, leaving readers to discover their own relationship between history and the present..


FYI: Here are some of the best-known War and Peace quotes:

If everyone fought for their own convictions there would be no war.

A battle is won by him who is firmly resolved to win it.

The strongest of all warriors are these two — Time and Patience.


Added: Politics of Distraction, XX

Power on, off, on, off— a heat dome buckles the grid.

my neighbor's TV
blasting Iran War news ...
one stray outbarks the rest


FYI: The Guardian, July 13, 2026: Oil prices leap and stocks fall as Trump reinstates Hormuz blockade on Iranian shipping
Brent crude rises 5% after US president says 20% toll will be imposed on key trade route to cover  "safety and security."


Added:

war news on mute
the drawn out cry
of a cricket

Saturday, July 4, 2026

Special Feature: Selected Poems for Reflections on America 250

On the Brink of Trumperica, XII

the people of Trump
                  by the people of DOGE
                  for the people of the SuperRich ...
sun-bleached stars and stripes
atop the Capitol fencing



The Department of Government Efficiency (DOGE) is an initiative by the second Trump administration in the United States. It was first suggested to Donald Trump by Elon Musk in 2024, and was officially established by an executive order on January 20, 2025

And

The New Yorker, July 2 2026: The Unprecedented Profiteering Revealed by Donald Trump’s Financial Disclosure

Donald Trump released a 927-page personal-financial-disclosure report for 2025. It recorded more than $2.2 billion in earnings.

The President cashed in on his office to the tune of billions of dollars last year, largely through the sale of crypto tokens. His investors weren’t so fortunate...The fine print revealed that seventy-five per cent of proceeds from token sales went into the pockets of Trump and his family.


Politics of Distraction, XVII

In the land of the free, dreaming ...
To American midterm-election voters

The poor and middle class pay taxes, the rich pay accountants, the super-rich pay lawyers, and the ultra-rich pay politicians.

smell of muggy noon —
the Reflecting Pool's blue sky
turns algae green

Trump news on mute ...
in the soup kitchen mirror
a twentysomething's stare



The Atlantic, June 26 2026: Trump’s Peeling Green Gift to America
The Reflecting Pool fiasco says everything about how the Trump administration operates.

Donald Trump, trying to renovate the Lincoln Memorial Reflecting Pool for America’s 250th birthday and, instead, scoring a tax-payer-funded, $14 million-over-[close to $15 million-dollar] budget own goal in the form of a cracked and peeling, green-algae-riddled, potentially duck-killing militarized zone in the nation’s capital. One of the firms hired for the renovation is named Greenwater Services.

And

University of California, Riverside/UCR study, April 17, 2023: [Cumulative] Poverty is the 4th greatest cause of U.S. deaths: Only heart disease, cancer, and smoking were associated with a greater number of deaths.


Trump Empire, Inc., XCV

the White House roof
shadowed against sunset skies
America First banner



From this day forward, it’s going to be only [Me] First. [Me] First.

-- Donald Trump, 2017 & 2025 Inaugural Addresses

The Guardian News Clip, June 30, 2026: How Trump is making the US's 250th anniversary about himself

... there's something more insidious too, which is Trump and his allies are seizing on this as an opportunity to rewrite American history, to make it a story of heroic white male Christian men on some providential journey pursuing their destiny. That's what American greatness is about....

And

DW News, July 4 2026: How Donald Trump is rewriting the history of US independence

the White House is rewriting history.

We are watching in real time as they remove the history of slavery from national parks. They're trying to remove a lot of content and things from the African-American History Museum as well.


Trump Empire, Inc., XCVI 

Pursuit of Happiness
for MAGA cult and Christian Nationalists in Trumperica

gated cul-de-sac
lined with wavy green oaks
in golden sunlight
diverse shapes and heights
of white picket fences

whitewashed fence
taller by two feet this year …
neighbors equipped
with security cams, bulldogs
and stars-and-stripes rifles


FYI: Stars-and-Stripes rifles refer to limited-edition or custom American flag-themed firearms. 

And "Life, Liberty and the pursuit of Happiness" is a well-known phrase from the United States Declaration of Independence. Like the other principles in the Declaration of Independence, this phrase is not legally binding, but has been widely referenced and seen as an inspiration for the basis of government.


Added: Trump Empire, Inc., XCVII

an eagle spirals
into the gathering dark
this fireworks night
a one-armed veteran
stares beyond his front yard flag


Added: Trump Empire, Inc., XCVIII

Culmination

From the blood-stained sport on the White House lawn, to the pigeons-more-than-visitors fiasco of the “Great American State Fair,” to the fenced-in, algae-green reflecting pool on the National Mall, to the knock-the-hell-out-of-Iran recycled speech:

rainbow flowers
bloom in the July 4th sky
a war veteran
takes aim at the enemy
still fighting in his head


FYI: CNBC News, July 4 2026: Trump hails U.S. exceptionalism before veering into darkly political speech to usher in America’s 250th anniversary

Communism is a mortal threat to American liberty.

-- Donald Trump, America 250 speech

Friday, July 3, 2026

Biting NOT Barking: Hyphen Haiku by Fay Aoyagi

English Original

spring mud
the hyphen
before American

Frogpond, 44:2, Summer/Spring 2021

Fay Aoyagi


Chinese Translation (Traditional)

春天的泥漿
放在“美國”之前
的連字符

Chinese Translation (Simplified)

春天的泥浆
放在“美国”之前
的连字符

 
Bio Sketch

Fay Aoyagi (青柳飛)was born in Tokyo and immigrated to the U.S. in 1982. She is currently a member of Haiku Society of America and Haiku Poets of Northern California. She serves as an associate editor of The Heron's Nest.  She also writes in Japanese and belongs to two Japanese haiku groups; Ten'I (天為) and "Aki"(秋), and  she is a member of Haijin Kyokai (俳人協会).

Sunday, June 28, 2026

Special Feature: Selected Poems for Reflections on UN's Report on Israel Committing Genocide and Other War Crimes

"Israel's oldest dailyHaaretz," which was was sanctioned by the Israeli government on Nov. 24, 2024

Against the Drowning Noise of Other Words, CLXXXVIII: "A Gazan baby"
written in response to Haaretz, May 20, 2025: Opposition MK Says Israel Risks Pariah Status, "Sane State Doesn't Kill Babies as Hobby"



a Gazan baby
the glitter 
in a sniper's eye



first frost …
a Gazan baby’s face
in pixels



a dull-eyed baby
with loose skin over bone ...
red glow of Gazan skies




On June 18, 2026, the UN Independent International Commission of Inquiry published a major report titled “The essence of childhood has been destroyed: Israel’s deliberate targeting of Palestinian children in the Occupied Palestinian Territory since 7 October 2023”. 

The paper describes the deliberate targeting and killing of Palestinian children, including post-ceasefire since the October 2025 Gaza peace plan. The Commission also examines a sharp increase in violence perpetrated by members of Israeli settlers against Palestinian children in the West Bank, including East Jerusalem.



Against the Drowning Noise of Other Words, CIII: "settler violence"

          under        slate-gray            skies

                                   |                          
a settler aims his gun | a boy throws his rock
                                   |

          tank track marks on the grass



it’s peaceful now

M-16 rifles are blooming, 2000-pound bombs singing, and Merkava tanks sweeping the streets.

Gaza is cleaner than ever, clean of blood-covered children. Yet, somewhere among the rubble the only moving thing is a boy’s eyes that look up to Heaven.

a mural
on the separation wall
of the West Bank:
in midair a girl grasps
a bunch of rainbow balloons

Contemporary Haibun Anthology 20


Against the Drowning Noise of Other Words, CXC: "ghostly memory"
inspired by a short documentary, Severed: The Story of a Boy From Gaza,  premiering on The Nation Magazine website this week for free.

awake alone
with the ghostly memory
of skeletal houses ...
this one-legged Gazan teen stares
into the borderless sky



Against the Drowning Noise of Other Words, CLXXXIX: "Heaven and Gaza's ruins"

an armless boy's stare
midnight lightning links Heaven 
and Gaza's ruins ...




The United Nations has officially placed and kept the Israeli military on its annual "blacklist" (formally known as the Children and Armed Conflict report annex) for committing grave violations against children, including killing, maiming, and attacking schools and hospitals



Against the Drowning Noise of Other Words, XLIV, "hospitals destroyed"
written in response to the destruction of Gaza's biggest hospital, Al Shifa

between blood of birth
and blood of death
a new life
on the hospital floor ...
a Gazan mother's last look



collapsed school wall
a butterfly
in shades of charcoal




To conclude today's "Special Feature" post, I would like to share the latest entry of Against the Drowning Noise of Other Words, CCXCIX: "Ceasefire: You Cease, I Fire"

Ceasefire: You Cease, I Fire

Boom, boom, boom ... trailed by intermittent night-piercing screams, near and far. 

an armless boy's stare
midnight lightning links Heaven 
and smoky ruins 

hazy day moon
an orphaned girl, her world
of paper cranes



There is no ceasefire in Gaza; the world has normalized the genocide of Palestinians.

-- Francesca Albanese, UN Special Rapporteur on Palestine and author of UN Report, "Anatomy of a Genocide"

And

There comes a time when silence is betrayal.

Our lives begin to end the day we become silent about things that matter.

-- Martin Luther King, Jr.


Added: Against the Drowning Noise of Other Words, CCC: "one thousand cranes"

cherry blossoms
and yet Gazan children ... 
one thousand cranes

Saturday, June 13, 2026

Poetic Musings: New Leaf Haiku by Eric A. Lohman

turn of a new leaf over and over climate conference
 
Trash Panda, 5, 2023

Eric A. Lohman

Commentary: This climate haiku works effectively because it uses the monoku (one-line haiku) format to create a "looping" effect that perfectly mirrors its subject.

The opening phrase, "turn of a new leaf," is a classic idiom for change, but in the sociopolitical context of a "climate conference," it becomes literal (foliage/nature) and ironic (the lack of actual progress). And by placing "over and over" in the middle, the haiku creates a circular rhythm. The reader's eye repeats the phrase, mimicking the repetitive, cyclical nature of these conferences where the same promises are made and broken.

Furthermore, in a one-liner, the lack of stops allows the "leaf" to "turn" right into the "climate conference," suggesting that the rhetoric is just part of a spin cycle. This haiku captures a specific modern frustration—the performance of change vs. the reality of repetition.


And my vertical climate haiku below could be read as a narrative and thematic prequel to Eric A. Lohman's horizontal one-liner above:

climate
talk
after
talk
leaf
on
leaf

Scarlet Dragonfly Journal, May 12 2022

Chronological Shift:

The vertical haiku captures the agonizing, passive passage of time before or during the climate event. The horizontal one-liner captures the frantic, repetitive aftermath.

Escalation of Frustration:

The vertical structure isolates the word "talk" to show quiet disillusionment. The horizontal structure crams the words together to show overwhelming political fatigue.

Accumulation to Action:

The phrase, "Leaf on leaf" in the vertical haiku shows the physical pileup of unaddressed time. This accumulation directly triggers the manic, cyclic action of turning the leaf "over and over" in the horizontal one-liner.

Sunday, June 7, 2026

Special Feature: Selected Poems for Reflections on LGBTQ Rights in Trumperica

My Dear Readers and Friends:

On this first Sunday of June, I’m sharing a few poems reflecting on warning, struggle, and the joy of resistance in Trumperica:


On the Brink of Trumperica, IX

the White House
pronounces, only two sexes ...
trans youth trapped
between black-and-white Kansas
and rainbow-colored Oz



The following gembun is its sequel:

Trump Empire, Inc., XCIII

A Family Values banner tangled with the flagpole atop the White House roof, silhouetted against the sunset.

only two sexes ...
clouds drift through bands
of hazy gray


And the following is the sequel to the gembun:

Trump Empire, Inc., XCIV inspired by The Guardian, May 31, 2025: Four queer business owners on Pride under Trump: ‘Our joy is resistance

near the White House gate
a rainbow-haired teen's waist 
wrapped in a flipped flag
under the guards' dark-glassed stare
she pirouettes timelessly

Monday, May 25, 2026

A Room of My Own: Stock Ticker Tanka

Against the Drowning Noise of Other Words, CCXCVI: "stock ticker "

a bruised girl’s hand
clutches a slice of bread
in pixels—
a stock ticker flashes past
Lockheed Martin up red-hot


FYI: "Israel's oldest dailyHaaretz," which was was sanctioned by the Israeli government on Nov. 24, 2024

May 24 2026: Israel's Destruction of Gaza Mapped Using Digital Archive of Wartime Footage

Built from geolocated videos, photographs and social media posts, the website – called Genocide Live – compiles footage of Israeli airstrikes, military manoeuvres, and destruction from across Gaza, the West Bank and the wider regional war, including in Lebanon, Syria, Iran and Qatar.

May 25 2026: Humanitarian Conditions in Gaza Deteriorating Again, Aid Groups Warn

The groups report a resurgence in malnutrition among Gazan children, as well as deaths resulting from a failure to provide medical evacuations, collapsing sewage systems, a spike in pest infestations and a serious shortage of medical equipment, among other problems.

And Kavout, Stock Analysis: Is Global Conflict Driving a New Era for Defense Stocks

Key Takeaways

Global defense spending, now at an estimated $3 trillion, is surging due to escalating geopolitical tensions, creating a robust tailwind for defense contractors and drone technology firms.

Lockheed Martin (LMT) offers investors a stable, blue-chip play on this trend, benefiting from strong demand for its established platforms and a substantial backlog, despite its premium valuation. 


Added: Against the Drowning Noise of Other Words, CCXCVII: "Eid al-Adha"

Eid al-Adha
shrouded in smoky dust
armless Gazan child

FYI: Eid al-Adha (May 26–30) is the Feast of Sacrifice, the largest of the two main Islamic festivals celebrated worldwide. It is traditionally marked by clean clothes, festive meals, and charity.


Added:

her only son's photo
as he was
Memorial Day


Added:

in breezy sunshine
tulip bulbs tucked in the earth
last autumn
begin to murmur awake ...
will our hope for peace take root?


FYI: Vision of Humanity: Highest number of countries engaged in conflict since World War II


Added:

the edge
of this dappled trail
shadow and me


Added:

gazing out
at this borderless spring sky 
thoughts pass through


Added:

kitchen secret
in the slanted moonlight
onions unpeeled


Added:

half-sleep, half-wake 
my hand across the bed
finds a hollow


Added:

sultry beach night
my body finds the spot
where hers once lay


Added:

solar eclipse
a church bell’s echo slips
into the dark

Wednesday, May 20, 2026

Poetic Musings: Gazan Baby's Face Haiku by Chen-ou Liu

first frost ...
a Gazan baby’s face
in pixels

Commendation, 15th Polish International Haiku Competition 2025

Chen-ou Liu

Judge's Comment: The first sign of winter is juxtaposed with a baby in Gaza, likely seen under terrible circumstances. Pixels are the tiny units – or pieces (a shadow word, surely) – that make up a digital image. News is always to hand, refreshed continuously if we choose to look, but the devices we use can make us feel remote, less empathetic. The author’s intent (to me anyway) is unclear, which adds another layer of interest.


My Response:

The emotional force of this haiku depends largely on the relationship between Ls 2&3. Without L 3, “a Gazan baby’s face” functions as a direct image of suffering. But L 3 — “in pixels” — radically reframes the image. It reveals that the speaker is not physically present with the child, but encountering the face through a screen: a phone, livestream, news clip, or social-media feed. 

That shift opens several layers of meaning.

1. Mediation and distance

“In pixels” foregrounds the technological mediation of suffering. The child reaches the speaker only as digital light — fragmented image-data transmitted across distance. The haiku creates tension between intimacy and separation: the immediacy of a baby’s face contrasted with the remoteness of screen-based witnessing.

The haiku quietly asks what it means to experience catastrophe through technology rather than direct human contact.

2. Fragmentation and dehumanization

Pixels are the tiny units that collectively simulate reality. Ending on “pixels” subtly suggests how modern tragedy is consumed as image — fragmented, streamed, and reduced to visual information.

L 3 therefore carries an implicit critique of contemporary spectatorship: human suffering risks becoming just another flow of digital content.

3. The contrast with “first frost” in L 1

The juxtaposition with “first frost” is crucial. Traditionally, first frost evokes seasonal transition, stillness, delicacy, beauty, and coldness. Placed beside the image of a Gazan baby, the frost acquires moral and emotional overtones: emotional numbness, chilling distance, fragility of life, even the cold glow of screens.

The ellipsis after “first frost …” deepens this effect by creating a suspended pause before the intrusion of geopolitical reality.

4. Why “in pixels” works

The restraint of “in pixels” is precisely what gives the haiku its force. It avoids overt political rhetoric, graphic imagery, and explicit emotional instruction. Instead, L 3 quietly transforms the haiku from simple observation into a meditation on mediated witnessing in the digital age.


And this haiku is a sequel to mine below:

Against the Drowning Noise of Other Words, CLXXXVIII: "A Gazan baby"
written in response to Haaretz, May 20, 2025: Opposition MK Says Israel Risks Pariah Status, 'Sane State Doesn't Kill Babies as Hobby'

a Gazan baby
the glitter 
in a sniper's eye

Tuesday, May 19, 2026

A Room of My Own: Wind-Spun Petals Haiku

wind-spun petals
go back where you came from
brayed down the block


FYI: This haiku is a prequel to mine below:

the zigzag path 
of a yellow maple leaf ...
to stay or to go?



Added: 

fireball-lit skies
"ceasefire" for 45 days
inked on paper


FYI: BBC News, May 18 2026Death toll from Israeli strikes on Lebanon passes 3,000, officials say


Added:

blossom-spun wind
against the chain-link fence
store foreclosure


Added:

rooftop pool
I float in the light
of stars


Added:

a row of beach chairs
in every pair of glasses
drifting clouds


FYI:  This haiku could be read as a prequel to mine below:

dream space
between our beach chairs
rippling sunset

Friday, May 8, 2026

Biting NOT Barking: New Leaf Haiku by Eric A. Lohman

English Original

turn of a new leaf over and over climate conference
 
Trash Panda, 5, 2023

Eric A. Lohman


Chinese Translation (Traditional)

重啟新頁一次又一次氣候變遷大會

Chinese Translation (Simplified)

重启新页一次又一次气候变迁大会


Bio Sketch

Eric A. Lohman is a psychiatric social worker at a large public teaching hospital in downtown Atlanta,  Georgia, USA. His career focuses on helping the homeless, addicted and chronically mentally ill populations of Atlanta and the surrounding area. Most of his writing serves as a response to that reality. 

Monday, March 30, 2026

A Room of My Own: Whitewashed Road Sign Tanka

Against the Drowning Noise of Other Words, CCLXXXVIII: "a whitewashed road sign"

dust swirling past
"<-- Tarqumia, Jerusalem -->
peace be with you" 
under the scorching sun
a whitewashed road sign


Added: Against the Drowning Noise of Other Words, CCLXXXIX: "skeletal house"

skeletal house  
and charred pottery shards --  
grass creeps in the cracks


Added: Against the Drowning Noise of Other Words, CCXC: "between wire fences"

slate-gray sky
swarm after swarm of flies
between wire fences


Added: Against the Drowning Noise of Other Words, CCXCI: "the Death Bill"

Sde Teiman
silhouetted against desert sunset 
on the TV
passing of the Death Bill
popping of champagne 

FYI: Sde Teiman is a scandal-plagued Israeli detention camp in the Negev desert near the Gaza border.

And Haaretz, April 1, 2026: The Death Penalty Bill Illustrates How the Kahanist Revolution Has Taken Over Israeli Society

The evening of the vote marked not only a moral abyss, but also anointed the next right-wing leader: Itamar Ben-Gvir, who has managed to transform himself from a marginal thug into a shaper of right-wing ideology


Add:

straddled between
this war-torn world and the one
in my mind ...
I slam the blinds down
as fists crash on the street

Thursday, March 12, 2026

Reading More and Writing Better: Yawp of "USA!" Tanka by Chen-ou Liu

a lament for Walt Whitman's America

to cameras
no, more wars! the chant
echoes, echoing
around the Congress chamber
swelled with the yawp of USA!


FYI: The joshi (prefatory note), “a lament for Walt Whitman's America,” serves as the thematic anchor of the tanka. By invoking the “barbaric yawp” from Song of Myself by Walt Whitman, the tanka establishes a pointed irony: what Whitman envisioned as a raw, soulful cry of individual liberation and democratic vitality has here been transformed into a partisan, nationalistic roar.

Linking the “yawp” directly to the chant of “USA!” suggests that the “barbaric” quality Whitman celebrated as natural and poetic has become performative and aggressive. This connection bridges the joshi to the final line, revealing how the “America” being lamented has shifted symbolically from Whitman’s open road to the echoing chamber of Congress.

The joshi works effectively by establishing a melancholic, almost high-literary tone that immediately crashes immediately into the "modern reality, i.e. Trumperica," of the tanka. By invoking Whitman’s idealized vision of America, the poem creates a baseline of democratic optimism against which the final “yawp” reads as a distortion—or even a perversion—of the original spirit.

And For more about the use of "joshi," see "To the Lighthouse" post, "Joshi (Prefatory Note) as a Poetic Device."


Note: “Song of Myself,” the central poem of Walt Whitman’s 1855 collection Leaves of Grass, is a sweeping meditation on the self and its relation to the world. Written in innovative free verse, the poem celebrates an expansive identity that connects the individual with nature and the broader human community.

Composed during the American Renaissance, the poem reflects the influence of Transcendentalism and the democratic optimism of Jacksonian democracy—a movement associated with Andrew Jackson that promoted the belief that political power should rest with the “common man” rather than traditional elites.

Whitman’s sweeping catalogs of people, occupations, and everyday scenes create a democratic panorama in which all lives are interconnected, culminating in his famous declaration: “I am large, I contain multitudes.”

Tuesday, March 10, 2026

A Room of My Own: Coal-Soot Haze Haiku

No More Fairy Tales, XLIX

coal-soot haze hangs 
over a field of farmhouses
Four More Years crooked


FYI: This haiku could be read as a sequel to mine below:

clean coal billboard ...
a fork-tongued thought 
darkens the night



Added: No More Fairy Tales, L

rows of wind turbines
a field of prairie grass
bends in twilight


FYI: This haiku could be read as a sequel to my tanka below:

No More Fairy Tales, XLVIII

COP30:
more fossil fuels
or green energy?
a question smeared in ash
from the burned Amazon



Added: Trump Empire, Inc, LXXXVI

in gold-color
Trump holds Epstein’s stretched arms
from behind
on the National Mall:
King of the World Statue


Added: Trump Empire, Inc, LXXXVII

the peanut-brained man
behind the Resolute Desk
grins to cameras,
"just a little excursion"
oily clouds over Tehran


Added:

billows of smoke
from Beirut neighborhoods ...
the war chief vows,
we will take the territory 
block by block, street by street


FYI: Haaretz, March 13 2026:  Defense Minister Israel Katz said Thursday morning that he had "warned" Lebanese President Joseph Aoun following Hezbollah fire toward Israel. "I warned the president of Lebanon that if the Lebanese government cannot control the territory and prevent Hezbollah from threatening the northern communities and firing at Israel – we will take the territory and do it ourselves," Katz said. 


Added: Politics of Distraction, I

oil-dark clouds
hang heavy over Tehran —
reporters squint
at row after row of black bars
in Epstein’s redacted files


FYI: Politics of Distraction is my new writing project. The title is taken from Al Jazeera: February 26, 2026: Epstein and the politics of distraction
Scandal individualises corruption, creating a spectacle that redirects anger away from structural power.

Saturday, February 21, 2026

Poetic Musings: Trade War News Haiku by Chen-ou Liu

trade war news
a spiderweb on the eaves
sagging with raindrops

Prize Winter, 27th Haiku International Association/HIA Haiku Contest

Chen-ou Liu

Judge's Commentary: The first line is clearly topical, a concern of the moment, while what follows is natural, observed. The spider’s web is, I imagine, on the eaves outside the poet’s house, where the heavy raindrops gather and threaten to destroy it. The web is the spider’s lair and means of existence, yet one that may soon give way. Our lives too are delicately wrought, and may be easily disrupted. In the meantime we can admire the light refracted in the glittering raindrops, before they fall. I note the syllable count of 3-7-5.


Analysis: The haiku opens in abstraction—economic conflict, media chatter, global tension—impersonal and distinctly contemporary. It then pivots from headline-scale urgency to intimate observation. The spiderweb “on the eaves” grounds the haiku in a specific domestic space, an image of fragility fastened to shelter.

The raindrops’ weight becomes an unstated metaphor. The web, strained by accumulated water, quietly echoes global economic systems under mounting pressure, without ever declaring the parallel. The haiku’s strength lies in this restraint: the small, rain-soaked scene absorbs and reflects the larger unease of geopolitical tension.

Monday, January 26, 2026

Special Feature: Selected Poems for Reflection on "Annexation on Steroids" in the West Bank, Palestine

(Note: "Israel's oldest dailyHaaretz," which was was sanctioned by the Israeli government on Nov. 24, 2024

Jan. 27: Settlers Rampage Through South Hebron Villages, Torch Homes and Steal Livestock.

Jan. 27: The Israeli Ethnic Cleansing Militias in the West Bank Have Suceeded Once Again

Jan. 27: "Ordinary, Decent Israelis" Still Think That What Happens in the West Bank Stays in the West Bank

FYI: Jan. 27: Netanyahu Government Ban on Haaretz Is Unlawful, Attorney General Tells Israel's Top Court)



It’s peaceful now

M-16 rifles are blooming, 2000-pound bombs singing, and Merkava tanks sweeping the streets.

Gaza is cleaner than ever, clean of blood-covered children. Yet, somewhere among the rubble the only moving thing is a boy’s eyes that look up to Heaven.

a mural
on the separation wall
of the West Bank:
in midair a girl grasps
a bunch of rainbow balloons

Contemporary Haibun Anthology 20


Atlantic Council, Dec. 2025: All West Bank annexation proposals are illegal—and put core international principles at risk


Against the Drowning Noise of Other Words, CLXVI: "military watch"

burning olive groves ...
the weight of thick gray and black
blanketing
over the West Bank families
under military watch



Haaretz:

 Jan. 25 2026: A West Bank Bus Trip Through 'the Best Documented Ethnic Cleansing in History'

"'What has been going on here in the West Bank is, to me, just like the Germans' actions in Poland between 1939 and 1943. The IDF can expel the residents – poor, weak shepherds – in one week, but the state has been doing it by proxy through an army of minors and criminals, some of them sheep thieves. There are no police,' says Amir Pansky of the group Looking the Occupation in the Eye. 'This is the best documented ethnic cleansing in history. We're recording everything in real time...

According to Ofran and Mizrachi, in the last three years we've been seeing "an annexation on steroids," which includes the expulsion of the local people, the building of hundreds of kilometers of roads and mammoth funding for settlements.

And Jan. 26 2026: Excess Soil From Tel Aviv Construction Sites Used to Expand West Bank Farms and Outposts


Against the Drowning Noise of Other Words, CCLXXIII: "Saharan desert warbler"

A Saharan desert warbler spotted in Haifa, only the second ever to be seen in Israel.

West Bank town fenced in ...
a rifle silhouette
against the boundless sky


Against the Drowning Noise of Other Words, CCLXXIV: "the Nakba"

The Nakba pictures in black and white; now this week in the color of smoky red.

fire's mouth
consumes the last farmhouse ...
settlers' roaring

Wednesday, January 21, 2026

Special Feature: One Year in Poems: Trumperica, Revisited

My Dear Readers:

I would like to share with you my published poems below for reflections on the impacts of one year of Trumperica:


I Before American Carnage

Election Campaign:

just a dream, and yet ...
the mountain lion roaring
to flocks of sheep,
once elected as your King
I'll be vegetarian

my pitbull
chasing her Siamese cat ...
Trump on TV blasts
If you go after me
I'm coming after you!


Election Victory:

USADecides:
TheSecondDumbing 
theredhotheadline
morphsintomarching
phalanxafterphalanx


II Trumpocalypse Now!

Post-Election

Trump this, Trump that ...
with this news-punched mind
I sound-bathe in silence

Trump news blackout
the calm between us holds
a world unspoken

trapped in the nightmare
of four more years of this man-child ...
we wake each morning
as if we're living
the Groundhog Day loop


Inauguration

the downward tilt
of his chin and forehead
and the knitted eyebrows ...
Convicted Felon's official portrait
[l]awfully like his mug shot


Day One Promises and Crimes

American dream
somewhere over the rainbow
detention camps

this man-child fullmouths
frack and drill, baby, frack and drill
with a meaty smile ...
I turn off the TV, gazing
at cracked corners of my world

No more climate alarmist talk.

flashfloodingweareallinthistogether
floodafterfloodweareallinthis t o ge t h e r a gain

the White House
pronounces, only two sexes...
trans youth trapped
between black-and-white Kansas
and rainbow-colored Oz

the people of Trump
                  by the people of Musk
                  for the people of the SuperRich ...
sun-bleached stars and stripes
atop the Capitol fencing

one, big, beautiful bill ...
a hushed silence
sweeps the briefing room
then a loud fart 
echoes, echoing

trade war news
a spiderweb on the eaves
sagging with raindrops

sleepless again ...
I count Trump's crimes backwards
into oblivion

think, feel and act
while they're still "legal"
chant after chant
no more DOGEy business
drop this small dick(tator)

tariffs today
TACO tomorrow ... in heat
a stray chases its tail 

in red twilight
one stray trying to outbark
the other ...
the Trump-Musk feud grows
loud, louder and dark, darker

at the steps 
of the Statue of Liberty
each of these names
of the disappeared read out loud...
a breath, a wound, and a warning

Epstein files news
the rasp, rasping
of cicadas

In a 2011 email to Ghislaine Maxwell, “… that dog that hasn’t barked is Trump.”

a pink-haired girl
seen through a telescope
of age-spotted hands

the footfalls
of MAGA intruders
stir clouds of dust ...
the Wall of Free Speech in twilight
sentineled with talk show hosts

in dim light
staring at the TV talk show
Donald Trump holds 
a remote control with buttons:
Power, Pause, Mute, Sack, Deport

ka-kis-to-cracy ...
my English teacher's voice
quivering
as U-S-A! chants get louder
from the crowd outside the school
(FYI: The first part of kakistocracy comes from the Greek kákisto(s), meaning “worst.” Therefore, kakistocracy means “government by the WORST.”)

No Kings Protest:
chant after chant of fried truth
eggflation
scrambled justice, poached rights,
cracked democracy... Trump, Fuck Off

in gathering dark
the entrance to Mar-a-Lago
No Parking Any Time  😎

the burning photo
of gold-crowned Donald Trump ...
the flame licks upward
then a Nenee Good lookalike
lights her cigarette


Foreign Policies:

Land of the Crazed --> USA
Canada <-- Home of the Brave
giant road sign
at the corner of the border
as flocks of geese fly north

in Toronto sunshine
with the scent of early spring
and freedom
two Americans meet and part:
one draft dodger, one Trump evader

the Don posed 
behind the Resolute Desk
with fingers cocked
for the cameras' rapid fire ...
a map crossed with red X’s


Russian Invasion of Ukraine:

the barrage 
of blaring lies and shit-words
from his meaty mouth ...
between Trump's pauses 
Vance's thunderous echo-fart

wave after wave
of blue-and-yellow flags
in bitter cold
atop the White House Fencing
a hand-drawn sunflower


Gaza Genocide

the man who bombed kids
gives a golden dove statue
to the man
who sent him planeloads of bombs:
war is peace, peace is war ...

War Is Peace

pyramid
after pyramid of rubble ...
again "ceasefire" strikes

fireball by fireball ...
the length
of a Gazan night

smoky twilight
a cry sinks into the sound
of a gunshot

skeletal houses
these layers of silence
upon silence

The ink barely dry on the paper, and Phase Two of the ceasefire plan announced to the clicking of cameras.

these dark blue lips
as cracked window frost thickens
Gazan sky tinged red


One Year On

A notice pinned to the community library’s message board: The Post-Apocalyptic Fiction Section has been moved to Current Affairs.

Apocalypse Now
spine bent, margins yellowed …
on its last page
Trump 2028
inked in a shaking hand


Reflection

alone, putting
the Trump-raged world on mute
I take a sip
of morning black coffee
and listen to the snowfall


To conclude today's "Special feature" post, I would like to share with you the latest entry of Trump Empire, Inc, LXXI: 

a gembun written in response to Mark Carney's Davos speech on the first anniversary of the Convicted Felon sitting behind Resolute Desk:

Clapping of hands and thumping of feet to the claim: "If we're not at the table, we're on the menu."

my black cat returns
with a bloodied bird in mouth
drums of a trade war


Added: Trump Empire, Inc, LXXII

Canada lives
because of the US, Trump claims 
fart on fart in Davos


Added: Trump Empire, Inc, LXXIII

In the end, we have only whistles and the ICE agents have guns.

freezing cold ...
snapped from school to trap parents
five-year-old as bait


Added: Trump Empire, Inc, LXXVI

rings of five colors
link continents as one
outside the stadium
fists, voices rising as one:
"ICE out and justice for all"