Showing posts with label vacation. Show all posts
Showing posts with label vacation. Show all posts

Thursday, July 4, 2019

Cool Announcement: My Journey to the United Kingdom

My Dear Poets and Readers:

In the back of my mind echo Basho's  words, "Every day is a journey, and the journey itself home." In a few hours, I'll embark on a journey to the United Kingdom, and hopefully I'll be back in shape on July 26th.

Have a great Summer!

Chen-ou.

Friday, May 26, 2017

Cool Announcement: My Journey into the Land of Music

My Dear Poets and Readers:

In the back of my mind echo Basho's  words, "Every day is a journey, and the journey itself home." In a few hours, I'll embark on a journey into Austria, the Land of Music, and hopefully I'll be back in shape on June 13th.


starlight ...
my midlife drained of all
but hungry
for these magic words,
NeverEnding Story

on the windowsill
two canaries singing
to each other
I tweet and retweet
NeverEnding Story

Many thanks for your ongoing support of my translation project and for helping increase NeverEnding Story's readership. And I Look forward to reading your new work (see 2017 haiku and tanka anthology submission guidelines)

Have a great Summer!

Chen-ou


Note: The accepted haiku/tanka will be translated into Chinese and posted on NeverEnding Story and Twitter (You are welcome to follow NeverEnding Story on Twitter at @storyhaikutanka, following: 6, followers: 1,147) and retweeted by Chen-ou Liu (You are welcome to follow Chen-ou Liu on Twitter at @ericcoliu, following: 4, followers: 2,969) to reach a wider readership.

Thursday, June 16, 2016

Cool Announcement: My Journey into the Land of Poets and Thinkers

                                                                                            Barbie's Dreamhouse
                                                                                            under Berlin's twilight sky
                                                                                            a woman holds
                                                                                            her dog-eared copy
                                                                                            of A Doll's House

                                                                                            Geography and the Creative Imagination
                                                                                                                          Atlas Poetica, 2014


My Dear Friends:

In the back of my mind echo his words, "Every day is a journey, and the journey itself home."

In a few hours, I'll embark on a journey into Germany, the land of  poets and thinkers, and hopefully I'll be back in shape on July 4th.


Happy Reading!

Have a great Summer!

Chen-ou

Friday, September 25, 2015

Cool Announcement: Homecoming Trip and Poems to Eat

My Dear Friends:

In a few hours, I'll embark on a journey to my home country, Taiwan; this will be my second visit since my first trip in October 2010. Hopefully, I'll be back in shape on October 18th.

The following is the 22-day poetic food supply:




by Chen-ou Liu

Honorable Mention, Fourth Turtle Light Press Biennial Haiku Chapbook Competition, 2014.




Selected Haiku

im-mi-grant . . .
the way English tastes
on my tongue

2nd Prize, 7th Kokako Haiku Competition

job hunting...
a yellow leaf drifts
from branch to branch

Editor's First Choice, "Fall Trees Thread," Sketchbook 5:5, September/October 2010

winter rain
I fall asleep
holding myself

A Hundred Gourds, 2:3, June 2013

to leave or to stay...
the light and dark
of a spring wind

Lynx, 28:3, October 2013

midsummer night
I photoshop
my immigrant dream

Under the Basho, September 2013

Pacific shore . . .
I speak to the chestnut moon
in my mother tongue

Honorable Mention, Kitakyushu International Moon Haiku Contest

winter
rain
drops
my
reflection

Modern Haiku, 45:1, Winter/Spring 2014

my dog and I
in a patch of sunlight
New Year's morning

Frogpond, 36:2, Summer 2013

first homecoming...
the silence lengthened
tree by tree

A Hundred Gourds, 2:3, June 2013

budding cherry petals ...
three blue-eyed teens greet me
with middle fingers

Wah, 2014

from Lake Ontario
I scoop the Taiwan moon
distant sirens

Contemporary Haibun Online, 10:2, July 2014

harvest moon rising ....
a tremble
in the migrant's voice

Second Place, 10th Kloštar Ivanić Haiku Contest, 2013

lunar eclipse
can my words map the contour
of a void?

Whispers, Feb. 26, 2014

Silent Night
drifting in from the neighbors --
I relearn Chinese

Second Place, North Carolina Poetry Society Lyman Haiku Award 2011



In this collection we enter the life of being an immigrant, feel the loneliness of being between worlds, and the questions and challenges that arise from that experience. One must learn a new language, a new landscape, and a new culture. The immigrant is at first cast adrift, never really at home, but never really in exile, either.

winter rain
I fall asleep
holding myself

We don’t have to be a stranger in a strange land to feel this degree of loneliness, but being one makes it all the more poignant.

budding lotus
when did I become
who I am

When any of us have experienced a shift from one land to another, whether chosen or forced upon us, this is a question we find ourselves asking more than once. I know I have been asking it often since my husband died and I only moved from north to south Jersey.

first homecoming . . .
the silence lengthened
tree by tree

And when we try to go home, we are changed, so home is changed. The silence, the trees . . . how do we bridge the gap? And what self are we bringing home again?

last cherry petals
drift to the ground
I miss myself

As we are becoming, day by day, our “new” selves, we miss the old, but can’t go back. And that’s the way it is. But we go on! This is a collection that makes us recognize the changes we must make—and, if we are immigrants, the changes are even more profound.

Chen-ou


Note: A Life in Transition and Translation is prefaced and postfaced by the following haibun respectively:

Following the Moon to the Maple Land
for my first Canada Day, July 1, 2003

Name: Chen-ou Liu (phonic);
Country of Birth: R.O.C.;
(Cross out R.O.C. and fill in Taiwan) 1
Place of Birth; Date of Birth; Sex;
simply more technocratic questions
the Immigration Officer needs to pin down my borders.
He is always looking for shortcuts,
more interested in the roadside signposts
than in the landscape that has made me.
The line he wants me confined to
is an analytically recognizable category:
immigrant. My history is meticulously stamped.
Now, you're legally a landed immigrant.
Take a copy of A Newcomer’s Introduction to Canada.

from Lake Ontario
I scoop the Taiwan moon
distant sirens

Contemporary Haibun Online, 10:2, July 2014

Note:  "The Republic of China (ROC)” was established in China in 1912. At the end of World War II in 1945, Japan surrendered Taiwan to ROC military forces on behalf of the Allies. Following the Chinese civil war, the Communist Party of China took full control of mainland China and founded the People's Republic of China (PRC) in 1949. The ROC relocated its government to Taiwan, and its jurisdiction became limited to Taiwan and its surrounding islands. In 1971, the PRC assumed China's seat at the United Nations, which the ROC originally occupied. International recognition of the ROC has gradually eroded as most countries switched recognition to the PRC. Only 21 UN member states and the Holy See currently maintain formal diplomatic relations with the ROC, though it has informal ties with most other states via its representative offices." -- excerpted from the Wikipedia entry, “Taiwan”


To Liv(e)

My Dear:

Upon reading your ground-floor comment regarding my decision to emigrate to Canada, “you're a dreamer with your head in the clouds, paying little attention to the reality on the ground,” I laugh… to tears.

It reminds me that Ingmar Bergman once commented on Elliot Gould, “It was the impatience of a soul to find out things about reality and himself, and that is one thing that always makes me touched almost to tears, that impatience of the soul.”

I miss you, miss the conversations we used to have inside and outside the theater, and miss your favorite actress Liv Ullmann and our dream.

autumn twilight
a butterfly darts in and out
of my shadow

It’s true that my immigrant life here is much tougher than I thought. It can easily thrust me into troubling circumstances that threaten to undo my “mastery” over those things that matter most.

Thanks for your advice: “don't let life make your heart hard; sometimes, you need to keep one of your eyes open and the other closed.” You told me that you've long found yourself mesmerized by Pablo Picasso’s painting, “The Head of a Medical Student,” a face in the form of an African mask with one eye open, and the other closed. I can generalize about the provocative poignancy of this painting: most people live their lives with one of their eyes keenly open to the dangers of the world and the uncertainty of the human condition; their other eye is closed so they do not see or feel too many of these things, so they can get on with their lives.

fight after fight
against loneliness --
waning moon

I don’t want to drag you into our decade-old debate again. But, is this the kind of life we’re going to pursue after spending years together reading, seeing, and discussing so many artistic works on life and death? Your Ullmann once quoted Bergman as saying, “Perhaps there’s no reality; reality exists only as a longing.” For me, my longing is reality.

falling off a dream I become a butterfly

Love,

Chen-ou

Frogpond, 34:3, Fall 2011

Friday, May 29, 2015

Cool Announcement: Away on Vacation and Poems to Eat

My Dear Friends:
                                             
In a few hours, I'll embark on a journey into the land of the Seventh Seal (Ingmar Bergman's homeland), and, hopefully, I'll be back in shape on June 16th.

The following is the 18-day poetic food supply:

                                            
                                           Butterfly Dream: 

                      66 Selected English-Chinese Bilingual Haiku 

                                          Volume One 2014


 

                                 One Man's Maple Moon: 

                    66 Selected English-Chinese Bilingual Tanka

                                       Volume One 2014



Below are  my haiku and tanka, which were inspired by my 2014 Portugal trip:

Journeys
for the country of my birth

Sintra at dawn
a carriage horse
clip-clop, clip-clops ...

Lisbon heat
taxis rattle and screech
through cobbled lanes

Belem in twilight
her sailor song tinged
with love and regret

Ilha Formosa ...
sailors and I cry out
in a fleeting dream
(Note: In 1544, a Portuguese ship sighted the main island of Taiwan and named it "Ilha Formosa," which means “Beautiful Island.”)

Cattails, 3, 2014

Alfama stroll
the air drips with laundry
and the smell of fish

Cattails, 3, 2014

laundry flapping
in the summer wind
a circle of men
at a communal meal
in the Alfama street

Atlas Poetica, 19, 2014

Roma boys
rummage through the dump site
for scrap metal
riverside fireworks
light the summer sky

Runner-Up, 2014 British Haiku Society Tanka Anthology Competition


Note: Below is my haibun,  "To Liv(e)," written for Ingmar Bergman and his beloved actress, Liv Ullmann ( first published in Frogpond, 34:3, Fall 2011)

To Liv(e)

My Dear:

Upon reading your ground-floor comment regarding my decision to emigrate to Canada, “you're a dreamer with your head in the clouds, paying little attention to the reality on the ground,” I laugh… to tears.

It reminds me that Ingmar Bergman once commented on Elliot Gould, “It was the impatience of a soul to find out things about reality and himself, and that is one thing that always makes me touched almost to tears, that impatience of the soul.”

I miss you, miss the conversations we used to have inside and outside the theater, and miss your favorite actress Liv Ullmann and our dream.

autumn twilight
a butterfly darts in and out
of my shadow

It’s true that my immigrant life here is much tougher than I thought. It can easily thrust me into troubling circumstances that threaten to undo my “mastery” over those things that matter most.

Thanks for your advice: “don't let life make your heart hard; sometimes, you need to keep one of your eyes open and the other closed.” You told me that you've long found yourself mesmerized by Pablo Picasso’s painting, “The Head of a Medical Student,” a face in the form of an African mask with one eye open, and the other closed. I can generalize about the provocative poignancy of this painting: most people live their lives with one of their eyes keenly open to the dangers of the world and the uncertainty of the human condition; their other eye is closed so they do not see or feel too many of these things, so they can get on with their lives.

fight after fight
against loneliness --
waning moon

I don’t want to drag you into our decade-old debate again. But, is this the kind of life we’re going to pursue after spending years together reading, seeing, and discussing so many artistic works on life and death?

Your Ullmann once quoted Bergman as saying, “Perhaps there’s no reality; reality exists only as a longing.” For me, my longing is reality.

falling off a dream I become a butterfly

Love,

Chen-ou

Oct. 22, 2003

Sunday, June 1, 2014

Cool Announcement: My Journey into the Land of Fado

                                                                                          a crescent moon
                                                                                          in the Tagus River
                                                                                          her sultry voice
                                                                                          wailing out a song
                                                                                          tinged with passion and regret

My Dear Friends:

In the back of my mind echo his words, "Every day is a journey, and the journey itself home."

In a few hours, I'll embark on a journey into the land of fado (a form of Portuguese music characterized by mournful tunes and lyrics) and hopefully I'll be back in shape on June 15th.

The following is the 2-week poetic food supply:

Editor's Choice Haiku/Tanka

Haibun Poetics: "Make Haibun New through the Chinese Poetic Past: Basho's Transformation of Haikai Prose" (first published in Simply Haiku, Vol.8. No. 1, Summer 2010 and reprinted in Haibun today, 6:1 March 20120), an in-depth analysis (structural and stylistic) of Basho's travel journal, The Narrow Road to the Interior , "What Happens in [David Cobb’s Conception of] Haibun: A Critical Study for Readers Who Want More" (first published in Haibun Today, 7:3, September 2013), a 30-page thematic, textual, and perspectival analysis of David Cobb's What Happens in Haibun: A Critical Study of an Innovative Literary Form, and my "To the Lighthouse" posts about haibun poetics (such as titling, haibun structure, and the relationship between the prose and haiku, ...) (Note: In a conference paper, titled "The Narrow Road to a Deeper Understanding of Haibun," authored by Susie Utting (from the University of the Sunshine Coast, Australia) and presented at the 2013 Asian Conference on Literature & Librarianship, I got recognized and noticed for my work studying haibun poetics in general and Basho's The Narrow Road to the Interior in particular)

And share with you the following poems that were written after my 2013 trip to the Netherlands and Belgium:

in De Wallen
the summer sunset sky
through a brothel window ...
one woman looks out
another looks in

Tanka 3rd place, Diogen Summer Haiku Contest, 2013

the full moon
over Memling Museum
twelve
unfinished black circles
in Verdier's wall painting

(Note: Fabienne Verdier is a contemporary French painter, known for her expertise with Chinese ink techniques)

Cattails, 1, December 2013

one mandarin duck
wanders back and forth
in the canal
sandwiched between
rows of window brothels

A Hundred Gourds, 2:4, September 2013

on his T-shirt
to hell with water
give me Belgian beer ...
hugging in Burg Square
we drink summer moonlight

A Handful of Stones, March 19th 2014

last pencil marks
on the wall
Anne Frank House at dusk

Per Diem, The Haiku Foundation, September 2013
to buy or not to buy
one more box of chocolates ...
Bruges in summer twilight

Senryu 3rd place, Diogen Summer Haiku Contest, 2013

Thursday, June 20, 2013

A Room of My Own: A Midsummer Day's Museum Tour

Van Gogh at Work...
I feel like wearing the face
of a sunflower

Rembrandt's Night Watch
a line of Japanese tourists
clicks and turns

Rodin's Le Baiser
this urge to hold
a stranger's hand

the Jesuits
hacked off his penis
Semini Statue

Woestyne's  Last Supper
the security guard eats
three chocolates

homecoming dream:
a white dove flies out of
Wheat Field with Crows


Notes:

1 Semini  is viewed as an ancient fertility symbol.
2 It is commonly stated that Wheat Field with Crows was van Gogh's last painting.

Sunday, May 12, 2013

Cool Announcement: One Eye on the Road

A Poet's Vacation Message


My Dear Readers/Poets:

                                                  a sickle moon
                                                  at the attic window . . .
                                                  layer by layer
                                                  Vincent's ghost peels
                                                  the crust from my night


In the back of my mind echo his words, "Every day is a journey, and the journey itself home."

In a few hours, I'll embark on a journey into the land of Starry Night, and, hopefully, I'll be back in shape on May 26th.

The following is the 2-week poetic food supply:

Editor’s Choice Haiku / Tanka

And  my haiku sequence, which was written after my 2012 Spain trip:

Journey through the Land of Melting Clocks

anything new
under the Barcelona sun
Casa Milà

a line of tapas
where does her love begin
and my desire end?

the full moon
at La Sagrada Família
unfinished me

Occupy Madrid
returning
to my mother tongue

Seville Cathedral
above a sea of heads
chirping swallow

Dante in Thought
is it possible to take
refuge in poetry

Dalí painting
on my water-stained wall
hometown memories

Modern Haiku, 44:1, Winter/Spring 2013