Showing posts with label Politics/Poetics of Re-Homing. Show all posts
Showing posts with label Politics/Poetics of Re-Homing. Show all posts

Tuesday, August 26, 2014

Politics/Poetics of Re-Homing, XL

first starry night
in the Year of the Dragon
for now
writing moon tanka becomes
my home in the Maple Land

Atlas Poetica, 15, July 2013


Notes: The tanka above is the last one in my 40-tanka sequence about diasporic experiences. The opening tanka is as follows:

a new immigrant
in the land of Snow White
I practice
A,B,C... by talking
to the bathroom mirror

You can read the whole sequence here.

Sunday, August 17, 2014

Politics/Poetics of Re-Homing, XXXIX

Taiwan moon
low in the Ajax sky
the weight
of my nostalgia
measured in snowdrifts

Atlas Poetica, 15, July 2013

Notes: You can read its preceding tanka or the whole sequence here.

Friday, August 8, 2014

Politics/Poetics of Re-Homing, XXXVIII

writing tanka ...
in the attic window
the winter star
that didn't move
is long gone

Atlas Poetica, 15, July 2013

Notes: You can read its preceding tanka or the whole sequence here.

Thursday, July 31, 2014

Politics/Poetics of Re-Homing, XXXVII

the harvest moon
meets me at the window...
echoes
of Li Po's laughter
in the corner of my mind

Atlas Poetica, 15, July 2013

Note: You can read its preceding tanka or the whole sequence here.

Below is a relevant excerpt from Robert D. Wilson's "An Evaluation and Introspective Look at the Haiku of Chen-ou Liu," which was first published in  Simply Haiku, 8:2, Autumn 2010:

As a poet, Li Po is one of the most loved Chinese poets and his poems are widely taught in schools, memorized by children, and constantly recited on all sorts of occasions. The first poem I ever memorized was his “Thoughts in Night Quiet,” the best known of all Chinese poems, especially among Chinese living overseas:

Seeing moonlight here at my bed,
and thinking it's frost on the ground,

I look up, gaze at the mountain moon,
then back, dreaming of my old home.

-- translated by David Hinton
(note: the poem alludes to the harvest moon and therefore the Mid-Autumn Festival)

When I was six, my father recited this poem to me with watery eyes. At that time, he hadn’t seen his family for two decades since he came to Taiwan in 1949, with the defeated Chinese Nationalist Army. I memorized the poem and didn’t fully reflect upon its meaning in my heart and mind. Little was understood about the suffering endured by my father and his generation due to the Chinese Civil War. It was not until the seventh year since I emigrated to Canada that I’d experienced this pang of nostalgic longing explored in Li’s poem through the moon imagery – a symbol of distance and family reunion – portrayed in simple and evocative language. Since then, every time when I thought of my parents, my family, and my hometown, I recited “Thoughts in Night Quiet,” which is not only Li’s poem but also mine.

More importantly, some of the recurring themes in Li’s poems appeal greatly to me, such as dreams, solitude/loneliness, and the passage of time, and they become the key motifs of my work. His skillful use of language, his great sensibility toward imagery, and his deep insights into the human condition through a Taoist lens capture nuanced human experience, which is the main goal I want to achieve in my writing.

Wednesday, July 23, 2014

Politics/Poetics of Re-Homing, XXXVI

blooming fruit tree
where we carved our initials ...
alone at dawn
I stand in its shadow
dreaming our midsummer dream

Atlas Poetica, 15, July 2013

Notes: You can read its preceding tanka or the whole sequence here.

Tuesday, July 15, 2014

Politics/Poetics of Re-Homing, XXXV

our eyes locked
on each other for hours
at the airport…
a middle-aged face
in summer clouds in the lake

Atlas Poetica, 15, July 2013

Notes: You can read its preceding tanka or the whole sequence here.

Saturday, July 5, 2014

Politics/Poetics of Re-Homing, XXXIV

using few words
I carve the long face
of my critic
with bleeding eyes...
this Good Friday night

Atlas Poetica, 15, July 2013


Notes: 

1 This tanka is written in the style of Onihishigitei ("demon-quelling force"), which is characterized by its “strong or even vulgar diction.” (Brower, p. 406).  This style refers to poems whose “imagery or treatment conveys an impression of violence. Such poems are found in particular in Book XVI of Man’yoshū." (Brower and Miner, p. 247). For more information, see "To the Lighthouse: Onihishigitei, Style of Demon-Quelling Force" .

2 You can read its preceding tanka or the whole sequence here.

Monday, June 23, 2014

Politics/Poetics of Re-Homing, XXXIII

for Dionne Brand, Author of  No Language Is Neutral

the look
on my professor's face
a red stain
on the title of my poem:
Language, I/anguish

Atlas Poetica, 15, July 2013

Note:You can read its preceding tanka or the whole sequence here.

Wednesday, June 18, 2014

Politics/Poetics of Re-Homing, XXXII

the memory
of our body conversations...
the white trail
from her Air Japan flight
splitting my spring sky

Atlas Poetica, 15, July 2013

Note:You can read its preceding tanka or the whole sequence here.

Wednesday, May 28, 2014

Politics/Poetics of Re-Homing, XXXI

Ajax night
and Taipei morning...
New Year's blue moon
in the bedroom window
of my childhood house

Atlas Poetica, 15, July 2013

Note:You can read its preceding tanka or the whole sequence here.

Friday, May 23, 2014

Politics/Poetics of Re-Homing, XXX

old-age home
in winter twilight
I listen
to his Hockey Night stories
for minimum wage

Atlas Poetica, 15, July 2013

Note:You can read its preceding tanka or the whole sequence here.

Wednesday, May 14, 2014

Politics/Poetics of Re-Homing, XXIX

sorry,
you're overqualified
for the job...

I crush the morning sun
in an icy puddle

Atlas Poetica, 15, July 2013

Note:You can read its preceding tanka or the whole sequence here.

Friday, May 2, 2014

Politics/Poetics of Re-Homing, XXVIII

swaying in dreams
Abandon your mother tongue,
all who enter here ...

midway through life I'm stuck
in a world of one color

Atlas Poetica, 15, July 2013

Note:You can read its preceding tanka or the whole sequence here.

Wednesday, April 23, 2014

Politics/Poetics of Re-Homing, XXVII

from my tanka
I look out the window
a swing swaying
in the back yard
of a foreclosed house

Atlas Poetica, 15, July 2013

Note:You can read its preceding tanka or the whole sequence here.

Wednesday, April 9, 2014

Politics/Poetics of Re-Homing, XXVI

long hours
after winter solstice
finding my lines
in the dripping sound
of a roof icicle

Atlas Poetica, 15, July 2013

Note:You can read its preceding tanka or the whole sequence here.

Monday, March 31, 2014

Politics/Poetics of Re-Homing, XXV

a crescent moon
in the attic window
at three a.m.
my tanka drifting
with first snowflakes

Atlas Poetica, 15, July 2013

Note:You can read its preceding tanka or the whole sequence here.

Saturday, March 22, 2014

Politics/Poetics of Re-Homing, XXIV

new immigrant
to the land of hungry ghosts
of the Muse
I write love tanka
in crimson red 

Atlas Poetica, 15, July 2013

Notes:
1 You can read its preceding tanka or the whole sequence here.

Monday, March 17, 2014

Politics/Poetics of Re-Homing, XXIII

not so-called news
another Chinese jumps
off the roof...
on the nightstand, his dog-eared
Lament for a Nation

Atlas Poetica, 15, July 2013

Notes:
1 You can read its preceding tanka or the whole sequence here.

Monday, March 3, 2014

Politics/Poetics of Re-Homing, XXII

he whispers
life is best understood
backwards
side by side two engineers
working at Tim Hortons

Atlas Poetica, 15, July 2013

Notes:
1 You can read its preceding tanka or the whole sequence here.
2 Tim Hortons' prevalence in the coffee and doughnut market has led to its branding as a Canadian cultural icon. For more information, see Double Double: How Tim Hortons Became a Canadian Way of Life, One Cup at a Time by Douglas Hunter.

Thursday, February 27, 2014

Politics/Poetics of Re-Homing, XXI

unemployed
I stay drunk on writing
love poetry
maple leaves falling
upon maple leaves...

Atlas Poetica, 15, July 2013

Note: you can read its preceding tanka or the whole sequence here