Wednesday, November 20, 2024

To the Lighthouse: Fable Tanka

A fable is a story told in prose or verse, the main purpose of which is to teach a life lesson or a moral. For example, the moral of "The Wolf in Sheep's Clothing" is that the evil doer often comes to harm through his own deceit. 

Fables usually use talking animals to speak and act like human beings in order to demonstrate a lesson about human behavior. 

Throughout history, fables have served a sociopolitical function. They often act as veiled critiques of societal norms, political systems and leadership, providing a relatively safe haven for sociopolitical commentary in periods where dissent could be met with harsh consequences (FYI: Vanity Fair, Nov. 11, 2024: Donald Trump’s Extremely Long List of Second-Term Revenge Targets: Everyone from Democratic lawmakers to retired generals and major news networks appear to be in the crosshairs)


In times of dread, artists must never choose to remain silent. This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear.

-- Toni Morrison, "No Place for Self-Pity, No Room for Fear"

Strive to change the world in such a way that there’s no further need to be a dissident. Read between the lives, and write between the lines. "Be committed to something outside yourself."

Lawrence Ferlinghetti, "Poetry as Insurgent Art"


The following tanka is the first political fable I wrote for the cheering crowds of Donald Trump's  supporters:

Between Heaven and Hell, VIII

just a dream, and yet ...
the mountain lion roaring
to flocks of sheep,
once elected as your King
I'll be vegetarian

Tuesday, November 19, 2024

Biting NOT Barking: Bullet-Riddled Helmet Haiku by Nick Virgilio

English Original

deep in rank grass,
through a bullet-riddled helmet:
an unknown flower

Selected Haiku, 1988

Nick Virgilio


Chinese Translation (Traditional)

從茂密的草叢深處
透過佈滿彈孔的頭盔:
一朵不知名的花

Chinese Translation (Simplified)

从茂密的草丛深处
透过布满弹孔的头盔:
一朵不知名的花


Bio Sketch

Nick Virgilio (28 June 1928 – 3 January 1989) was an internationally recognized haiku poet, and he played a vital role in popularizing the Japanese style of poetry in the United States. His first haiku was published in The American Haiku in 1963, and he wrote thousands, many unpublished, during his career spanning over 20 years. His 1988 book of poems, Selected Haiku, was one of the most important books ever published by an American haiku poet. For more about his influence on American haiku, see Cor van den Heuvel's 1990 essay, “Nick Virgilio and American Haiku: Creating Haiku and an Audience,” which was prepared for the International Haiku Forum held in Matsuyama, Japan

Monday, November 18, 2024

Special Feature: Selected Poems for Reflections on the "UN Commission Report, Nov. 14: Israel’s Warfare Methods in Gaza Consistent with Genocide, Including "Use of Starvation as Weapon of War"

in memory of Marek Edelman (1921 -- 2009), the deputy commander of the Warsaw Ghetto uprising in WWII and the only leader to survive the war as well as a lifelong anti-Zionist and supporter of the Palestinian cause, who was known for his heart-and-mind penetrating remark: 

To be a JEW means always being with the oppressed and never the oppressors.

late light lightning 
links Heaven and Gaza's ruins ...
with news on mute
my friend murmurs, what does it mean
to be a Jew to the oppressed

if one-ton bombs fall 
on housing blocks, but no Israeli’s there 
to hear them ...
in a mobbed pub I muse
does they make the sounds of death?

(FYI: "If a tree falls in a forest and no one is around to hear it, does it make a sound?" is George Berkeley's philosophical thought experiment that raises questions regarding observation and perception. For more about writing sarcastic tanka, see To the  Lighthouse: A Rhetorical Device, Sarcasm)


My Dear Friends:

UN Press Release, Nov. 14: UN Special Committee finds Israel’s warfare methods in Gaza consistent with genocide, including use of starvation as weapon of war

NEW YORK (14 November 2024) – Israel’s warfare in Gaza is consistent with the characteristics of genocide, with mass civilian casualties and life-threatening conditions intentionally imposed on Palestinians there, the UN Special Committee to investigate Israeli practices* said in a new report released today.

“Since the beginning of the war, Israeli officials have publicly supported policies that strip Palestinians of the very necessities required to sustain life — food, water, and fuel,” the Committee said. “These statements along with the systematic and unlawful interference of humanitarian aid make clear Israel’s intent to instrumentalise life-saving supplies for political and military gains.”

Israel's oldest daily, Haaretz:

Haaretz, Nov.16: Human Rights Watch: Israel's Deliberate Displacement of Gazans Amounts to War Crimes: A new report by the rights organization charges Israel with war crimes and crimes against humanity over 'massive, deliberate forced displacement of Palestinian civilians'

According to the report, the Israel Defense Forces forced nearly 90 percent of Gaza's residents – approximately 1.9 million people – to evacuate their homes, often more than once. The authors assert that there is "no plausible imperative military reason to justify" the mass displacement of the civilian population.

Haaretz, Opinion, Nov. 17: The New Zionist Ideal: A Generation of Israelis Devoid of Shame Over the Gaza War

Haaretz, Nov. 17: Israeli Settler Leader Claims She Scouted Location for Settlements Inside Northern Gaza

And CNN News, Nov. 18: Pope Francis calls for investigation into Gaza genocide allegations


I would like to share with you some of my published poems for reflections on the Israel-Hamas War and the WAR CRIMES committed by Israel:


[decades-long
inhuman occupation compressed]
to one-day attacks
reponding with the red glow
of missiles in Gaza's night sky


this endless loop:
October 7, October 7 ....
[and yet 
the decades before
and the day after...] bloodshedding


each bombed-out house:
an album with no photos
but with people
the living, wounded and dead
pressed between its pages


mule-drawn wagons
wind past one mound of rubble
after another ...
across the bottom of my screen
scrolls the text: from here to nowhere


anything new
under Gaza's smeared sun?
smoky rubble
beyond smoky rubble, and yet
again smoky rubble

(FYI: Ls 1&2 make a tragically sarcastic allusion to the following Bible verse:

Ecclesiastes 1:9

What has been will be again,
what has been done will be done again;
there is nothing new under the sun.)


First Three-Line Visual Tanka

          under        slate-gray            skies

                                   |                          
a settler aims his gun | a boy throws his rock
                                   |

          tank track marks on the grass


It’s peaceful now

M-16 rifles are blooming, 2000-pound bombs singing, and Merkava tanks sweeping the streets.

Gaza is cleaner than ever, clean of blood-covered children. Yet, somewhere among the rubble the only moving thing is a boy’s eyes that look up to Heaven.

a mural
on the separation wall
of the West Bank:
in midair a girl grasps
a bunch of rainbow balloons



We Cannot Be Bystanders to Genocide.

Chen-ou 

Sunday, November 17, 2024

Biting NOT Barking: Border Mountain Haiku by Srinivasa Rao Sambangi

English Original

snowmelt
the border mountain drips
bullet by bullet

Frogpond, 47:2, Spring/Summer 2024

Srinivasa Rao Sambangi


Chinese Translation (Traditional)

融雪
從邊境山頭
一顆顆子彈滴下來

Chinese Translation (Simplified)

融雪
从边境山头
一颗颗子弹滴下来


Bio Sketch

Srinivasa Rao Sambangi, a Master Black Belt in Six Sigma, is currently working in a pharma company in Hyderabad, India. His haiku are regularly published in all the leading haiku journals

Saturday, November 16, 2024

A Room of My Own: Melting Clock Haiku

Between Heaven and Hell, IV
first magical realist haiku

wall-to-wall mirrors
in his presidential suite ...
a melting clock ticks


FYI: "Magic realism or magical realism is a "style of literary fiction and art. It paints a realistic view of the world while also adding magical elements, often blurring the lines between fantasy and reality...excerpted from my "To the Lighthouse" post, Magical Realism in Times of Crises"


Added: Between Heaven and Hell, V

post-election blues ...
yet the stump jagged with some twigs
stretching upward


Added: Against the Drowning Noise of Other Words, CXXIV: "armless Gazan"

smoky sunbeams 
through tattered olive trees ...
an armless Gazan


Added: Between Heaven and Hell, VI

ka-kis-to-cracy ...
my English teacher's voice
quivering
as U-S-A! chants get louder
from the crowd outside the school


FYI: The first part of the word comes from the Greek kákisto(s), meaning “worst.” So kakistocracy means “government by the worst.” The earliest known use of the word was in the 1600s by Paul Gosnold, a loyalist to King Charles I during the English Civil War.


AddedBetween Heaven and Hell, VII

in morning chill
a youth's gaze at the billboard
dripping red:
your body, My choice pasted
over my body, my choice


FYI: The New Yorker, Nov.14: A New Rallying Cry for the Irony-Poisoned Right: It took less than twenty-four hours after Trump’s reëlection for young men to take up a slogan that could define the coming era of gendered regression: “Your body, my choice.” 

PBS, Oct.31: Trump: I will 'protect the women' ... 'like it or not'

And The Indian Express, Nov.17: ‘Your Body, My Choice’ vs 4B movement: The radical movement is an answer to the clock turning back

The movement consists of four ‘nos’ — no dating, no sex, no marriage, and no childbearing. It is a radical approach, but perhaps one whose time has come given the tumultuous fight for bodily autonomy American women have been undergoing.


AddedBetween Heaven and Hell, VIII
written in response to CNN News, Nov.18: "With swastika flags and bellowed slurs, neo-Nazi marchers strode through Columbus. Ohio" (J.D. Vance's home state)

Back in Business
It's Cleanup Time!
dripping red paint ...
I turn away when MAGA men
stab me with their eyes

Friday, November 15, 2024

Butterfly Dream: Dawn Combo Haiku by Adjei Agyei-Baah

English Original

dawn combo
the pop of my porridge
with birdsong
 
Songbirds, 2022

Adjei Agyei-Baah


Chinese Translation (Traditional)

黎明組合餐
我的稀飯的啵啵聲
伴隨著鳥鳴聲

Chinese Translation (Simplified)

黎明组合餐
我的稀饭的啵啵声
伴随着鸟鸣声


Bio Sketch

Adjei Agyei-Baah (June 29, 1977 -- December 18, 2023) was the co-founder of the Africa Haiku Network and The Mamba and author of afriku: haiku and Senryui from Ghana, 2016, Finding the Other Door, 2021 and Scaring Crow, 2022. 

Thursday, November 14, 2024

One Man's Maple Moon: Plaintive Cry Tanka by Thelma Mariano

English Original

the plaintive cry
of a sandpiper
trailing
in the distance
even he can’t say goodbye

Thelma Mariano

 
Chinese Translation (Traditional)

尾隨
在遠方之處
一隻鷸鳥
哀怨的哭泣
就連他也無法說再見

Chinese Translation (Simplified)

尾随
在远方之处
一只鹬鸟
哀怨的哭泣
就连他也无法说再见


Bio Sketch

Thelma Mariano is the author of Night Sky: a Selection of Tanka Poetry. She lives in Montreal and has published her tanka in literary journals as well as in various anthologies including Fire Pearls and Take Five: Best Contemporary Tanka.

Wednesday, November 13, 2024

Poetic Musings: Sandpiper Haiku by petro c.k.

.......................... sandpiper

Honorable Mention, 2024 Porad Award Winners

petro c.k.

Commentary: Enhanced by the visually effective use of punctuation marks, "..........................," this one-word visual haiku leads the reader to a shorebird, sandpiper. On a second read-through, I think the punctuation marks function like/works well as  the footprints left by this sandpiper, which reminds me of the following traditional, three-line sandpiper haiku:

wet beach sand --
a sandpiper's song
of footprints

The Way of Haiku, 2019

Michael Dylan Welch


Note: For more examples about one-word haiku, see "To the Lighthouse: Experimentation with One-Word Haiku by Pravat Kumar Padhy"

Tuesday, November 12, 2024

Butterfly Dream: Poppies Haiku by Richa Sharma

English Original

poppies at dusk
in my dream, he says yes
the boy lost to war
 
Songbirds, 2022

Richa Sharma
 

Chinese Translation (Traditional)

黃昏時分的罌粟花
在我的夢裡, 他說我願意
我的孩子在戰爭中喪生

Chinese Translation (Simplified)

黄昏时分的罂粟花
在我的梦里, 他说我愿意
我的孩子在战争中丧生

 
Bio Sketch 
 
Richa Sharma resides in Delhi NCR, India. Since 2019, her work has appeared in numerous online and print journals dedicated to short Japanese poetry. Her work has been appreciated in various international contests, and she also served as a contest panelist judge in the 2nd Trailblazer Contest, 2023.

Monday, November 11, 2024

Biting NOT Barking: Honored Dead Haiku by Cor van den Heuvel

English Original

after the speeches
the honored dead return
to their silence

Dark, 1982

Cor van den Heuvel 


Chinese Translation (Traditional)

演講結束後
褒揚的死者回到
他們的沉默

Chinese Translation (Simplified)

演讲结束后
褒扬的死者回到
他们的沉默


Bio Sketch

Cor van den Heuvel (March 16, 1931 - September 12, 2024) authored hundreds of haiku and haibun, including one of the most controversial works of the 20th century, one-word haiku: tundra. In addition to more than a dozen collections, he edited or co-edited a number of influential anthologies, most notably three editions of The Haiku Anthology, as well as Baseball Haiku. He also won three Merit Book Awards from the Haiku Society of America, a World Haiku Achievement Award at the World Haiku Festival, and the Masaoka Shiki International Haiku Prize.

Sunday, November 10, 2024

A Room of My Own: A Day, As Usual

written in response to the Great War's/World War I's slogan: the war to end all wars.

war after war news
lengthening the morning chill
Remembrance Sunday

Remembrance Parade
shoulder to shoulder to shoulder
headless shadows


FYI: "It was the British author, H.G. Wells, that coined the expression: 'The war that will end war' to describe World War One, which had broken out in Europe in September 1914. Wells believed the conflict would create a new world order that would make future conflict impossible."

And Geneva Academy of International Humanitarian Law: Today, it monitors more than 110 armed conflicts and provides information about parties, the latest developments, and applicable international law. Some of these conflicts make the headlines, others do not. Some of them started recently, while others have lasted for more than 50 years.


Added:

a thin layer of dust 
on the Unknown Soldier Statue
Remembrance day


Added:

Remembrance Day
an armless veteran sighs
what is life worth?

Saturday, November 9, 2024

Special Feature: Selected Poems for Reflections on the "UN Report: Nearly 7 out of 10 Deaths in Gaza, Women and Children"

My Dear Friends:


The Herald, Nov. 7: Irish parliament passes motion that Israel is "perpetrating genocide in Gaza."
PA Media, Nov. 9: Thousands participate in Palestinian solidarity march in Dublin: It is the 11th national rally since October 2023 and protesters again demanded sanctions on Israel.

The Hill, Nov. 8: Close to 70 percent of Gaza war fatalities children, women: UN Human Rights Office

Nearly 7 out of 10 deaths in Gaza amid the yearlong war in the region were women and children, the United Nations said in a sprawling report Friday that faulted Israel for a devastating attack on the coastal strip.

U.N. Human Rights High Commissioner Volker Türk said:

... a systematic violation of the fundamental principles of international humanitarian law, including distinction and proportionality...Their wanton disregard has led to the current extremes of human suffering which we continue to see today...

... The Israeli attacks demonstrate an apparent indifference to the death of civilians and the impact of the means and methods of warfare selected...

...The report identifies three categories of children most impacted by the war in Gaza: 5 to 9 years old, 10 to 14 years old, and babies to 4 years old...

...About 80 percent of Gaza’s fatalities are in residential areas, according to the organization, which said the high number of deaths is due to Israel’s use of wide attacks in densely populated areas...


And Israel's oldest daily, Haaretz, Editorial, Nov. 10: Netanyahu's Ethnic Cleansing in Gaza Is on Display for All to See

The Israeli military is conducting an ethnic cleansing operation in the northern Gaza Strip. The few Palestinians remaining in the area are being forcibly evacuated, homes and infrastructure have been destroyed...


I would like to share with you some of my published poems about the impacts of Israel-Hamas War on Palestinian women and children:


almost, with eyes closed
to this shrapnel-filled world ...
a Gazan newborn


between blood of birth
and blood of death
a new life
on the hospital floor ...
a Gazan mother's last look


hospital raid ...
a dead man watches his blood flow
into his children's blood


a cacophony
of sirens, shouting and screams ...
a girl curls up
next to the wheels of a stretcher
that holds her bloodied siblings


Shapes of Truth

in smoky twilight
staring into the camera
a white-haried man
cries out, are you, are you
taking revenge through our kids?

these corpse photos ...
the spokesman with skin
like a newt
opens and closes his mouth:
what about this, what about that 


between his teeth
a piece of hummus-stuffed bread ...
maimed orphan's last meal


                         aid
out of reach              air            ops
                                        dr 

and a dead child’s stare


smoky twilight ...
will starving babies in Gaza
heal the broken heart
of an Israeli mother
whose children were kidnapped


silhouetted
against a town of rubble
Gazan boy with one arm


a girl stares long
at the the borderless sky
Rafah crossing


a teen waves his bloodied keffiyeh becoming Flag


slanted moonlight
on a half-collapsed school wall
chalk poppies bloom

FYI: "The Palestinian poppy (Anemone coronaria) is a non-official but more recognizable national symbol of Palestine. It's red, with black center and green leaves, evoking the primary colors of the Palestinian flag. And it symbolizes the relationship between Palestinians and their land, the bloodshed they have endured, as well as their resistance against Israeli occupation."


It’s peaceful now

M-16 rifles are blooming, 2000-pound bombs singing, and Merkava tanks sweeping the streets.

Gaza is cleaner than ever, clean of blood-covered children. Yet, somewhere among the rubble the only moving thing is a boy’s eyes that look up to Heaven.

a mural
on the separation wall
of the West Bank:
in midair a girl grasps
a bunch of rainbow balloons


To conclude to today's Special Feature post, I would like to share with you the following haiku:

in memory of Palestinian poet, literature professor, and activist Refaat Alareer
who was killed on December 6, 2023 around 6 PM local time in Gaza, in a targeted Israeli airstrike that also killed his brother, his sister, and four of her children.

calm between fireballs
a child, somewhere, in Gaza
looks up to heaven


FYI: Watch the Scottish actor Brian Cox read Refaat Alareer's poem, “If I Must Die,” posted on December 1 on Twitter/X, a heartbreakingly prophetic farewell poem that has now been translated into more than 40 languages.

“If I Must Die” by Refaat Alareer

If I must die,
you must live
to tell my story
to sell my things
to buy a piece of cloth
and some strings,
(make it white with a long tail)
so that a child, somewhere in Gaza
while looking heaven in the eye
awaiting his dad who left in a blaze –
and bid no one farewell 
not even to his flesh
not even to himself –
sees the kite, my kite you made, flying up
above
and thinks for a moment an angel is there
bringing back love
If I must die
let it bring hope
let it be a tale.


Added: Against the Drowning Noise of Other Words, CXXIII: "ripped tents and fireballs"

puddles outside
and inside miles of ripped tents ...
fireballs bursting skyward


FYI: This haiku could be read as a sequel to my tanka prose below:

The Smell of Sorrow

all day rain ...
the puddles outside
and inside
these ripped plastic shelters
at the edge of Rafah

After the rain, at a camp located roughly a mile away from sandy terrain, strewn with rubbish and debris, men, women and children carry buckets of sand back and forth, back and forth, between their tents and the sandy area. A girl suddenly drops her bucket, then sits on the muddy groud, crying. For a moment, she stares up at the sky as if someone were listening.

Ribbons, 20:1, Winter 2024

Friday, November 8, 2024

NeverEnding Story: Call for "Biting NOT Barking" Poetry Submissions

My Dear Fellow Poets:

In times of dread, artists must never choose to remain silent. This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear.

-- Toni Morrison, "No Place for Self-Pity, No Room for Fear"


Poetry is insurrection, resurrection, and insubordination -- against amnesia of every sort, against every form of oppression, dispossession and indifference. And against the drowning noise of other words.  

-- Anne Michaels, "Infinite Gradation"

And

Strive to change the world in such a way that there’s no further need to be a dissident. Read between the lives, and write between the lines. "Be committed to something outside yourself."

Lawrence Ferlinghetti, "Poetry as Insurgent Art"


Share with you the following tanka sequence, the first entry of my new writing project, "Between Heaven and Hell," a sequel to "Game Show, 2024."


Two Americas

the White House
surrounded by a metal fence 
ten feet high ...
this is America, and yet
the other America

this chilly night
stretches thousands of miles
behind the day
November 6th, the veil thinnest
between Heaven and Hell

Not Going Back
painted in large blue letters
on the billboard
in autumn morning chill
Not crossed out with red paint

raindrops stream
down Lady Liberty's face
in my mind's eye
the convicted felon stands
on top of the White House

NeverEnding Story, November 6 2024


Look forward to reading your "biting NOT barking " poetry

Chen-ou


FYI: "The other America" first appeared in Martin Luther King Jr's "March 14, 1968" speech (where he was interrupted over and over by hecklers calling him a traitor), describing the differences in what life is like for Black/African-Americans. And Former U.S. Senator and former presidential candidate John Edwards used the "Two Americas" concept in a 2004 speech, making it into a catch phrase referring to social stratification.

And Haaretz, Nov. 6: Trump's Win Reveals the Inconvenient Truths About America

These two Americas are generally divided by two fault lines – education and gender – and are underlined by two very different political-social-cultural coalitions. Political scholar and journalist Ron Brownstein encapsulated them astutely and incisively as "transformative" and "restorative."

The "transformative" Democratic coalition is a diverse grouping made up of women, non-white Americans, voters with college degrees, urbanites and big metropolitan suburbanites, liberals and younger voters.

The "restorative" Republican electoral coalition is predominantly white, male, lower-middle class or working class, rural or living in a town of less than 100,000, without a college degree (mostly), earning less than $100,000 and angry that the America they know is "being taken away from them" by those liberal coastal elites who control the government.


Added: Between Heaven and Hell, II

windy post election
oak leaves tossed into
the sound of gray


FYI: The oak, the official national tree of the United States, was chosen through a nationwide vote, and it was selected because it symbolizes the strength of the nation.


Added: Between Heaven and Hell, III
first visual magical realist tanka

USADecides:
TheSecondDumbing 
theredhotheadline
morphsintomarching
phalanxafterphalanx


FYI: For more examples, see "To the Lighthouse: Magical Realism in Times of Crises"

Thursday, November 7, 2024

One Man's Maple Moon: Skin Rash Tanka by Kozue Uzawa

English Original

irritating
skin rash around the neck
am I angry
at someone,
someone inside me?

Gusts, 15, Spring/Summer 2012

Kozue Uzawa

 
Chinese Translation (Traditional)

這真的很煩
脖子周圍出現了皮疹
是我對某人
生氣了嗎,
還是我內心的某人?

Chinese Translation (Simplified)

这真的很烦
脖子周围出现了皮疹
是我对某人
生气了吗,
还是我内心的某人?
 
 
Bio Sketch

Kozue Uzawa is a retired university professor. She works as editor of the English tanka journal GUSTS. She composes tanka both in Japanese and English. She also translates Japanese tanka into English and co-published Ferris Wheel: 101 Modern and Contemporary Tanka (Boston: Cheng & Tsui, 2006), and Kaleidoscope: Selected Tanka of Shuji Terayama (Tokyo: Hokuseido Press, 2008). Ferris Wheel received the 2007 Donald Keene Translation Award for Japanese Literature from Columbia University.

Wednesday, November 6, 2024

Biting NOT Barking: Election Day Haiku by Bill Kenney

English Original

election day
kids in the schoolyard
playing tag

tinywords, 16:2, November 8 2016

Bill Kenney
 

Chinese Translation (Traditional)

選舉日
孩子們在校園裡
玩貼標籤遊戲

Translation result紙箱


Chinese Translation (Simplified)

选举日
孩子们在校园里
玩贴标签游戏

 
Bio Sketch 
 
Born and raised in the Boston area, and living for over 50 years in New York City, Bill Kenney was a professor for many years in the English Department at Manhattan College. He started writing haiku in 2004, a month before his 72nd birthday, and became an active participant in the New York City Spring Street Haiku group. His haiku were published in numerous journals and anthologies. And his collection of haiku, keep walking, won the 2021 Touchstone Distinguished Book Awards.