Showing posts with label memory. Show all posts
Showing posts with label memory. Show all posts

Friday, October 16, 2026

A Room of My Own: Childhood Haiku

winding road home
my childhood
left in the rearview


Added:

moon and stars
not one that moves ...
midnight silence


Added:

morning stroll
a butterfly rides the tail
of my old dog


Added:

sunlit field trip
a school of pond koi
slipping in and out


Added:

train tracks
fading in the twilight fog ...
words half-spoken


Added:

rain on the roof
my child’s shoes by the door
no longer fit

Monday, October 5, 2026

Butterfly Dream: Hazelnut Picking Haiku by Alan Summers

English Original 

hazelnut picking
the child in a memory puts 
my hand to the moon

Honourable Mention, Autumn Moon Haiku Contest 2021 
 
Alan Summers

 
Chinese Translation (Traditional)

採摘榛子
記憶中的孩子
將我的手伸向月亮

Chinese Translation (Simplified)

采摘榛子
记忆中的孩子
将我的手伸向月亮

 
Bio Sketch

Alan Summers is founder of Call of the Page, and editor-in-chief of three journals: Blo͞o Outlier Journal, MahMight Haiku Journal, and Babylon Sidedoor. He is surrounded by cats, who often find their way in from an insecure attic window!

Thursday, September 24, 2026

One Man's Maple Moon: Childhood Tanka by Marion Alice Poirier

English Original

home again
I walk childhood streets
in morning fog. . .
where cobblestones end
a river flows to the sea

Marion Alice Poirier


Chinese Translation (Traditional)

再次回家
在瀰漫的晨霧中
我漫步在兒時的街道
鵝卵石路的盡頭
一條河流奔向大海
    
Chinese Translation (Simplified)

再次回家
在弥漫的晨雾中
我漫步在儿时的街道
鹅卵石路的尽头
一条河流奔向大海


Bio Sketch

Marion Alice Poirier is a lifetime resident of Boston, MA. She began writing haiku in 2001 and eventually began to teach haiku in workshops on Poetry Circle and Emerging Poets. She also write short poetry and have been published in on-line haiku and short poetry journals like Tinywords, Hedgerow and The Heron's Nest.

Thursday, September 10, 2026

A Room of My Own: Moonlit Kiss Haiku

our moonlit kiss ...
that first time years ago
and the last


Added:

sultry night
a couple knee-deep
in stars


Added:

jasmine breeze
tonight smells of her
gone for years


Added:

moving day
the backyard swing 
slows to a stop


Added:

summer's end
the blue morpho
under a pin


Added:

sky tinged smoky gray
alone, I drive slowly past
what's left


FYI: This could be read as a sequel to the following:

cliff edge —
a burning sky
behind us

Honourable Mention, IHS International Haiku Competition 2022

Marion Clarke 

Friday, August 28, 2026

Butterfly Dream: Blackbird's Song Haiku by Fatma Zohra Habis

English Original 

spring drizzle
my friend returns 
in blackbird’s song 

EJCA Spring Haiku Anthology, 2026

Fatma Zohra Habis
 

Chinese Translation (Traditional)

春雨綿綿
在黑鳥的歌聲中
我的朋友歸來

Chinese Translation (Simplified)

春雨绵绵
在黑鸟的歌声中
我的朋友归来

 
Bio Sketch

Fatma Zohra Habis lives in Algeria. She loves poetry and Japanese culture. Her specialty is physics. Her haiku and tanka have been published in journals around the world, such as Enchanted Garden, The Sacred Dragonfly, The Leaf Journal, and haikuKatha.

Thursday, August 27, 2026

One Man's Maple Moon: Old Lullaby Tanka by Daniela Misso

English Original

a whole day
listening to the wind
among green leaves ...
at night, an old lullaby
emerges in me

Cattails, October 2021

Daniela Misso


Chinese Translation (Traditional) 

一整天
聆聽綠葉間
的風聲 ...
夜裡, 一首古老的搖籃曲
在我心中浮現


Chinese Translation (Simplified) 

一整天
聆听绿叶间
的风声 ...
夜里, 一首古老的摇篮曲
在我心中浮现


Bio Sketch

Daniela Misso is a retired schoolteacher and  a winner of numerous national and international competitions. She has published extensively in leading magazines dedicated to the genre. She is the author of Connessioni Sottili (FusibiliaLibri, 2021) and Ciliegi in fiore (Edizioni Accademia Barbanera, 2023).

Monday, August 10, 2026

Poetic Musings: Cosmetics Tanka by Margaret Chula

those half-used tubes
of her cosmetics
why did I keep them?
rubbing in face cream
I feel my mother’s bones


Margaret Chula


Commentary: Ls 1&2, "those half-used tubes / of her cosmetics," establish a concrete, physical scene. The detail of being "half-used" effectively implies a sudden interruption and lingering absence without explicitly stating them.

L3, "why did I keep them?," shifts the tanka from external observation to internal self-questioning. This rhetorical question creates a psychological pause before the emotional climax. It perfectly mirrors the erratic nature of grief, where a mundane thought about an object is suddenly overtaken by deep emotional recognition.

The final movementin Ls 4&5, "rubbing in face cream / I feel my mother’s bones," delivers an unexpectedly visceral conclusion. By blending tactile sensation with memory, the action fuses the speaker's body with the mother's presence. The word "bones" operates on multiple levels, simultaneously evoking mortality, aging, and genetic inheritance.

Sunday, July 5, 2026

One Man's Maple Moon: Cosmetics Tanka by Margaret Chula

English Original

those half-used tubes
of her cosmetics
why did I keep them?
rubbing in face cream
I feel my mother’s bones


Margaret Chula 


Chinese Translation (Traditional)

那些用過一半的
她的化妝品
為什麼還要留著它們?
當塗抹乳霜時
我感覺到母親的骨頭

Chinese Translation (Simplified)

那些用过一半的
她的化妆品
为什么还要留着它们?
当涂抹乳霜时
我感觉到母亲的骨头


Bio Sketch
 
Margaret Chula has published two collections of tanka: Always Filling, Always Full and Just This. She has promoted tanka through her one-woman dramatization, “Three Women Who Loved Love”, which traveled to Krakow, New York, Boston, Portland, Ottawa, and Ogaki, Japan. And from 2011 to 2015, Maggie served as president of the Tanka Society of America.

Monday, June 15, 2026

One Man's Maple Moon: Picture Scroll Tanka by Aya Yuhki

English Original

rewinding
a picture scroll of memory –
could I relive
those happy days
with my dog

White Flowers in the Sky, 2005

Aya Yuhki 


Chinese Translation (Traditional)

倒帶
一段記憶的影像捲軸 —
我能否重溫
那些快樂的日子
陪伴我的狗

Chinese Translation (Simplified)

倒带
一段记忆的影像卷轴 —
我能否重温
那些快乐的日子
陪伴我的狗


Bio Sketch

Aya Yuhki was born and now lives in Tokyo. She started writing tanka more than thirty years ago and has expanded her interests to include free verse poetry, essay writing, and literary criticism. Aya Yuhki is Editor-in-Chief of The Tanka Journal published by the Japan Poets’ Society. Her works are featured on the homepage of the Japan Pen Club’s Electronic Library.

Wednesday, June 10, 2026

Butterfly Dream: Wildflower Seeds Haiku by Deborah Karl-Brandt

English Original

wildflower seeds ...
harvesting the memory  
of butterflies  
 
Honorable Mention, THF-Kukai October 2023

Deborah Karl-Brandt


Chinese Translation (Traditional)

野花種子 ...
採收
蝴蝶的記憶

Chinese Translation (Simplified)

野花种子 ...
采收
蝴蝶的记忆


Bio Sketch

Deborah Karl-Brandt works as an author, editor, and educator. Her poems have been published widely, and several have won awards. In 2025, she was selected as a fellow at Confluence. Her new book, Wild Rabbit Moon, was published in 2026.

Thursday, May 14, 2026

Biting NOT Barking: Zombie Fires Tanka by Debbie Strange

English Original

zombie fires
come back from the dead ...
this wilderness
haunted by skeletons
and memories of trees
 
Blithe Spirit, 35:4, 2025

Debbie Strange


Chinese Translation (Traditional)

殭屍之火
死而復生
這片荒野
被骷髏和樹木的記憶
纏繞不止

Chinese Translation (Simplified)

僵尸之火
死而复生
这片荒野
被骷髅和树木的记忆
缠绕不止


Bio Sketch

Debbie Strange is a chronically ill Canadian short form poet, haiga artist, and photographer. Snapshot Press released her first full-length haiku collection, Random Blue Sparks, in 2024. It received 3rd Place honours in the 2025 Haiku Society of America’s Merit Book Awards. An archive of awards and publications can be accessed at http://debbiemstrange.blogspot.ca/ and you are welcome to follow her @Debbie_Strange on X and @debbiemstrange on Instagram.

Saturday, May 2, 2026

One Man's Maple Moon: Salt Wind Tanka by Marion Alice Poirier

English Original

all our yesterdays
scatter like white feathers
in the salt wind --
still, you come into my dreams
when the seagulls call

Marion Alice Poirier


Chinese Translation (Traditional)

我們所有的昨日
像白色的羽毛般散落
在鹹澀的海風中 --
然而當海鷗鳴叫時
你還是會出現在我的夢裡
    
Chinese Translation (Simplified)

我们所有的昨日
像白色的羽毛般散落
在咸涩的海风中 --
然而当海鸥鸣叫时
你还是会出现在我的梦里


Bio Sketch

Marion Alice Poirier is a lifetime resident of Boston, MA. She began writing haiku in 2001 and eventually began to teach haiku in workshops on Poetry Circle and Emerging Poets. She also write short poetry and have been published in on-line haiku and short poetry journals like Tinywords, Hedgerow and The Heron's Nest.

Saturday, April 18, 2026

A Room of My Own: Past and Present, Then Ever

cherry blossoms 
always the same, and yet
ever new with you

pink blossom rain
the space where you used to be
pink blossom rain


Added:

my first love
into the past tense
pink blossom rain


Added:

anniversary
first cherry blossoms 
my love elsewhere


Added: 

a riverside stroll
pink blossom rain on my face
on a homeless man


FYI: This could be read as a counter poem to my award-winning haiku below:

blossom rain
between earth and sky
somehow, us

Grand Prize, Sharpening the Green Pencil Haiku Contest, 2026


Added:

midnight crescent
in a Beirut boy's eyes
buzzing drones


Added:

repeat after me
Trum pi no cchi o ...
the clown taps his nose


Added: Politics of Distraction, IX:

blocking the blockade
to break the strait blockade ...
in gathering dark
a gin-soaked flight to nowhere
through the un/truth of this war


Added: Trump Empire, Inc, XCII

            Donald Trump
                 $20,28 per gallon
             America First
the MAGA-hatted man’s stare
bores holes through his lawn sign


FYI: This tanka could be read as a sequel to mine below:

Law is the King

Trump Empire, Inc, XC
written for No Kings protests

just a dream, and yet ...
the mountain lion roars
to grazing sheep:
once elected as your King
I'll be vegetarian

the peanut-brained man
behind the Resolute Desk
grins to cameras,
just a little excursion...
oily clouds over Tehran

how much bullshit
can come out of one ass-hole
a veteran’s refrain
cracks and booms through iron bars
at the White House gate

the Capitol fence
shadowed against the sky
in twilight chill
lineups snake at the pumps
and at food banks too

chant after chant
of eggflation, fried truth
scrambled justice ...
a mutt's neck sign: I can poop
a better president


FYI: The title alludes to the famous quote from Thomas Paine's 1776 pamphlet, Common Sense: In America, THE LAW IS KING.


Added:

on the road to work  
I push through the white drift—  
cold snap pressing in


Added:

to T.S. Eliot

curtains part
snow-wet roofs mirroring
April twilight


FYI: This could be read as a sequel my gembun below:

April is the cruelest month, I murmur to myself

drinking alone
the sound of snowfall
deepens



Added: Against the Drowning Noise of Other Words, CCXCII: "P/Crime Minister"
written on Israel's Independence Day

behind the shroud
of "our hero warriors"
the P/Crime Minister
spills the Castro-length 
blah, blah, blah on victory


Added: No More Fairy Tales, LIII
written on War-Ravaged Earth Day

Hormuz twilight
one pond of oily black
after another

Sunday, January 18, 2026

One Man's Maple Moon: Fire and Ice Tanka by Jane Reichhold

English Original

fire and ice
in the obsidian
the memory
of flowing lava
under new-fallen snow

Ardea, 5, 2015

Jane Reichhold

 
Chinese Translation (Traditional)

黑曜石中
的火與冰
新的積雪之下
熔岩流淌
的記憶


Chinese Translation (Simplified)

黑曜石中
的火与冰
新的积雪之下
熔岩流淌
的记忆

 
Bio Sketch 
 
Jane Reichhold was born as Janet Styer in 1937 in Lima , Ohio , USA . She has published over thirty books of haiku, renga, tanka, and translations. Her latest tanka book, Taking Tanka Home was translated into Japanese by Aya Yuhki. Her most popular book is Basho The Complete Haiku by Kodansha International. As founder and editor of AHA Books, Jane also published Mirrors: International Haiku Forum, Geppo, for the Yuki Teikei Haiku Society, and she co-edited with Werner Reichhold, Lynx for Linking Poets since 1992. Lynx went online in 2000 in AHApoetry.com the web site Jane started in 1995. Since 2006 she had maintained an online forum – AHAforum

Tuesday, January 6, 2026

One Man's Maple Moon: Voice Tanka by Michael McClintock

English Original

in your voice
whippoorwill,
there’s that love
for a field of reeds
where you were born

Third Place, 2013 San Francisco International Haiku, Senryu, and Tanka Contest

Michael McClintock


Chinese Translation (Traditional)

在你的聲音裡
我聽到夜鷹的叫聲
有那份對一片蘆葦叢
的熱愛
那是你出生的地方

Chinese Translation (Simplified)

在你的声音里
我听到夜鹰的叫声
有那份对一片芦苇丛
的热爱
那是你出生的地方


Bio Sketch

Michael McClintock's lifework in haiku, tanka, and related literature spanned over four decades. His many contributions to the field included six years as president of the Tanka Society of America (2004-2010) and contributing editor, essayist, and poet for dozens of journals, anthologies, landmark collections and critical studies. McClintock lived in Clovis, California, where he worked as an independent scholar, consultant for public libraries, and poet. Meals at Midnight [tanka], Sketches from the San Joaquin [haiku] and Streetlights: Poetry of Urban Life in Modern English Tanka, were some of his recent titles.

Wednesday, October 29, 2025

Butterfly Dream: Nursing Home Haiku by Kelly Sargent

English Original

nursing home
rosy-cheeked
in the frame

Presence, 73, 2022

Kelly Sargent


Chinese Translation (Traditional)

養老院
一個相框裡
的紅潤臉頰

Chinese Translation (Simplified)

养老院
一个相框里
的红润脸颊


Bio Sketch

Kelly Sargent is a widely-published poet and the author of Bookmarks (Red Moon Press, 2023), a collection of haiku and senryu. Honors in 2022 and 2023 include: The Touchstone Awards for Individual Poems (nomination),The H. Gene Murtha Memorial Senryu Contest (honorable mention), Golden Haiku Poetry Contest (recognition), and The Mukai Haiku Festival Poetry Competition (winner).

Friday, October 3, 2025

A Room of My Own: "Ooh, ooh ..." and Laughter Tanka

in memory of Jane Goodall who had strong ties to Taiwan, the country of my birth

in breezy sunshine
the spark between a chimp
and Jane Goodall
this fading still bright October day
I recall "ooh, ooh..." and laughter


FYI: During her 18th/last visit to Taiwan on June 8, 2025, Jane Goodall gave a speech (a YouTube video clip  inserted in the middle of the article), both heartwarming and inspirational, in which she praised 30 years of conservation progress in Taiwan (FYI: she first visited Taiwan in 1996; The Jane Goodall Institute Taiwan was established in 1998) and encouraged young people to Inspire Hope through Action (in response to the Convicted Felon's Climate Denial policies) .

And you can watch National Geographic's documentary, Jane Goodall: The Hope, for free.

I care about the future, I care about animals, I care about trees, I care about children... And I’m obstinate and I won’t give in.

-- Jane Goodall


And it might be interesting to do a thematic reading of my tanka set below, which was inspired by the caged chimp Vanilla's story:

Freedom Isn't Free

in morning breeze
it takes the chimp minutes
to step outside
of its decades-old cage ...
this sky with no metal bars

gazing for hours
up at this endless blue
the freed chimp
at the edge of the refuge
now the center of its world



FYI: Vanilla, a 28-year-old chimpanzee, experienced the open sky for the first time when she was moved to the Save the Chimps sanctuary in Florida. After spending her life in a New York research lab and a California refuge, Vanilla was released onto a three-acre island. 


Added:

deep and deeper 
into the sunset glow ...
a red leaf drifting


Added: Against the Drowning Noise of Other Words, CCXXXIII: "never again, October 7"

Never Again 
October 7, never Again ...
from smoky ruins 
scream after scream rolling 
louder and higher


FYI: This tanka could be read as a sequel to the following:

Against the Drowning Noise of Other Words, CCXXXII: "high holy days"

High Holy Days

Yom Teruah
pillars of smoke and fire link
Heaven and Gaza

Yom Kippur fasting ...
fifty miles away, a baby
skin loose on his bones

Gazan skies, tinged red ...
clutching his bible the rabbi 
lost in thought



And Haaretz, Opinion, Oct. 4 2025: Inside the Minds of Young Israelis Mocking Gaza's Suffering on TikTok

These videos are popping up across social media like mushroom after the ruin. Evil has made itself at home here

For example, 

A juicy hamburger in her hands, her face wearing a look of concern, she begins: "I'm really hungry, so I ordered myself a burger. And then I remembered that in Gaza there are so many people and Mahmoud animals [a play on the Hebrew phrase for pets] who have nothing to eat, and suddenly I felt, like, really bad." Pause. She takes a big, greedy bite. Her eyes meet the audience – she's performing.

She continues: "Wow, okay, that's over. So tasty. A golden burger at Aley Zahav. Listen, there is definitely nothing like this in Gaza. But I found a solution for them, and I totally believe that… [she smirks] they really are hungry, because they never stop nagging us [literally, eating our heads.]Anyway, what they need to do is have all the innocents eat the ones who aren't. Bon appétit." Another bite of the burger.

...These are the kinds of videos now popping up on social media like mushrooms after the ruin. Young Israelis, "politically engaged," some from the settlements, not all, sharp-tongued, creative (that is, destructive), confident, good performers – above all they make fun of Gaza's hunger; of the gaunt children, the humanitarian disaster, the Israeli disgrace. It entertains them. Fodder for satire, stand-up, likes – and the path to becoming "influencers." Easy money.

What's striking is that they don't argue with the harsh claims... They simply don't care. On the contrary, they're pleased. Their empathy mechanism has shrunk, confined only to their own tribe. The "other" does not exist as a person – at least not a person like them. As far as they're concerned, let them starve, waste away, die. Maybe that's even better, more material for the next show.

Freud claimed that jokes serve as a way to express unconscious wishes. Like the slip of the tongue or the dream, the joke seeks to release inner tensions, those locked inside the psyche and forbidden to surface...

I turn to Freud here only because the alternative is too hard to bear. The alternative is that life here has been corrupted to the core. That the extreme suffering of a small child in Gaza has become raw material for the exquisite delight of a young Israeli woman. That evil has made itself at home, the devil alive in the details that walk our streets.

FYI: The following is a direct quote:

Unexpressed emotions will never die. They are buried alive and will come forth later in uglier ways.

-- Sigmund Freud


Added:

in the gathering dark
one candle kindles another:
peace vigil

Friday, September 5, 2025

Butterfly Dream: Childhood Memories Haiku by Natalia Kuznetsova

English Original

childhood memories 
the fast-flowing stream
never to step in again

Asahi Haikuist Network, May 2, 2025

Natalia Kuznetsova


Chinese Translation (Traditional)

童年記憶
湍急的溪流
再也不會踏入

Chinese Translation (Simplified) 

童年记忆
湍急的溪流
再也不会踏入


Bio Sketch

Living in Moscow, Russia, Natalia Kuznetsova is a teacher of English and freelance interpreter. Before discovering the haiku world, she wrote poetry in Russian. She started writing tanka and mostly haiku in English in 2007, and participated in numerous competitions worldwide and won some awards. She contributes regularly to World Haiku Review, Asahi Haikuist Network, Daily Haiku, Poetry Pea and other traditional and on-line publications. She was included on the list of "European Top 100 Most Creative Haiku Authors" from 2010 to 2023.

Sunday, August 31, 2025

Butterfly Dream: Old Letters Haiku by Daniela Misso

English Original

old letters 
embers crackle 
with memories

Under the Basho, October 16 2022

Daniela Misso


Chinese Translation (Traditional) 

一疊舊信
餘燼劈啪作響
充滿回憶

Chinese Translation (Simplified) 

一叠旧信
余烬劈啪作响
充满回忆


Bio Sketch

Daniela Misso lives with her husband and son in Umbria, Italy where she composes verses. Winner of national and international competitions, she has many haiku published in magazines. She is the author of the book, Connessioni Sottili, ed. FusibiliaLibri, 2021.

Monday, June 16, 2025

A Room of My Own: The Last Year of My Father's Life

A haiku sequence for my father who was born in mainland China, lived most of his adult life in Taiwan, died and was buried there in 2022


a slice of my life 
in father's foggy mind
birthday sunset

father silver-haired
now my child
foggy winter night

ventilator hiss
Father's face blurry
and blurrier...

this faded photo ...
the story father told us
as mother grinned

this weight
of the words half spoken
a stone on Father's grave


FYI: For more about my father's story, see my tanka prose below:

A Chain Smoker of Few Words

My father, who was born in mainland China, quit his studies to defend his country against the Japanese invasion. Later, he fought his fellow countrymen for the sake of unifying war-torn China. Retreating to Taiwan along with the defeated Chinese Nationalist Army, he was separated from his family in China for four decades. He spent most of his adult life in Taiwan, worked hard to support his new family, died and was buried there without ever again seeing any of his family members from China.

this dream loop:
riding on my shoulders
into the Taiwan Strait
Father cries out, Mama
wait for me, I'm coming home



Added:

for ten days
onslaught after onslaught
of writer's block ...
I look out the window
at the moon, its fullness


Added:

white sand
slips through my fingers
a flash 
of morning sunlight
in each grain


Added:

one brown patch
after another, another
on the lawn ...
we speak less day by day
as the end of spring approaches