Showing posts with label memorial. Show all posts
Showing posts with label memorial. Show all posts

Saturday, January 17, 2026

Butterfly Dream: Hero’s Monument Haiku by Dimitar Anakiev

English Original

beneath the foot
of the hero’s monument
the tourist’s shadow

Frogpond, 23:3, 2000

Dimitar Anakiev


Chinese Translation (Traditional)

英雄紀念碑
的腳下
遊客的影子

Chinese Translation (Simplified)

英雄纪念碑
的脚下
游客的影子


Bio sketch

Dimitar Anakiev (aka Kamesan 亀さん, b. 1960 in Belgrade) poet, writer and filmmaker, began to write and publish poetry at the age of 13, and began writing haiku in 1985. He is the “father“ of many Balkan haiku projects such as Haiku Novine (Serbia) and Prijatelj and Apokalipsa haiku edition (Slovenia). He is a co-founder of World Haiku Association and co-editor of Knots: An Anthology of Southeatern European Haiku Poetry. His awards include the European Award: The Medal of Franz Kafka, The Museum of Haiku Literature Award, Haiku Society of America annual Merit Book Award and prizes from Mainichi Daily News, Daily Yomiuri (both Tokyo) and Azami (Osaka). He has also won several film awards, including the National Slovenian Award for best documentary film.

Tuesday, August 6, 2024

Biting NOT Barking: Hiroshima Day Haiku by Fay Aoyagi

English Original

Hiroshima Day 
I lean into the heat
of the stone wall

In Borrowed Shoes, 2006

Fay Aoyagi


Chinese Translation (Traditional)

廣島日 
我屈身傾靠石牆
的熱氣

Chinese Translation (Simplified)

广岛日 --
我屈身倾靠石墙
的热气
 
 
Bio Sketch

Fay Aoyagi (青柳飛)was born in Tokyo and immigrated to the U.S. in 1982. She is currently a member of Haiku Society of America and Haiku Poets of Northern California. She serves as an associate editor of The Heron's Nest.  She also writes in Japanese and belongs to two Japanese haiku groups; Ten'I (天為) and "Aki"(秋), and  she is a member of Haijin Kyokai (俳人協会).

Friday, July 26, 2024

Special Feature: In Memory of Sinéad O'Connor

(FYI: On Friday, July 26, Kathryn Ferguson — the director of O'Connor's documentary, Nothing Compares, — announced that the film would be available to stream for free over the next seven days on La Cinéma Club)

My Dear Friends:

Today marks the one year anniversary of the passing of Sinead O' Connor. I would like to share with you my tanka set, "It's been seven hours and 15 days," and two of her songs, "Nothing Compares 2 U" and "Drink Before the War," and three of her creation and truth quotes, " to remember one of the most innovative and courageous musical icons. 


It's been seven hours and 15 days
for Sinéad O'Connor (8 December 1966 – 26 July 2023)

nothing compares,
nothing compares to you ...
this undead
night creature at last lets go 
of herself, of the world

nothing, nothing
can take away these blues ...
I straddle the gulf
between dream and reality
seeing her turn back, not turn back

Ribbons, 19:3, Fall 2023

FYI: Sinéad O’Connor called herself "undead night creature" since her son Shane died by suicide in 2022.



Lyrics:
It's been seven hours and fifteen days
Since you took your love away
I go out every night and sleep all day
Since you took your love away
Since you been gone, I can do whatever I want
I can see whomever I choose
I can eat my dinner in a fancy restaurant
But nothing
I said nothing can take away these blues

'Cause nothing compares
Nothing compares to you

It's been so lonely without you here
Like a bird without a song
Nothing can stop these lonely tears from falling
Tell me baby, where did I go wrong?
I could put my arms around every boy I see
But they'd only remind me of you
I went to the doctor, guess what he told me
Guess what he told me
He said, "Girl you better try to have fun, no matter what you do"
But he's a fool

'Cause nothing compares,
nothing compares to you

All the flowers that you planted mama
In the back yard
All died when you went away
I know that living with you baby was sometimes hard
But I'm willing to give it another try

Nothing compares
Nothing compares to you
Nothing compares
Nothing compares to you
Nothing compares
Nothing compares to you



Well, you tell us that we're wrong
And you tell us not to sing our song
Nothing we can say will make you see
You got a heart of stone, you can never feel

You say "Oh, I'm not afraid, it can't happen to me
I've lived my life as a good man
Oh, no you're out of your mind
It won't happen to me
'Cause I've carried my weight and I've been a strong man"

Listen to the man in the liquor store
Yelling "anybody want a drink before the war?"

And your parents paid you through
You got a nice big car, nothing bothers you
Somebody cut out your eyes, you refuse to see
Ah, somebody cut out your heart, you refuse to feel
And you live in a shell
You create your own hell
You live in the past and talk about war
And you dig your own grave, yeah
But it's a life you can save
So stop getting fast, it's not gonna happen
And you'll cry but you'll never fall, no, no, no
You're building a wall
Gotta break it down, start again

No, no, no, it won't happen to us
We've lived our lives, basically we've been good men
So stop talking of war
'Cause you know we've heard it all before
Why don't you go out there and do something useful?

Oh, listen to the man in the liquor store
He yelling "anybody want to drink before the war?"
"Anybody want to drink before the war?"
"Anybody want to drink before the war?"


To say what you feel is to dig your own grave.

Nobody gets between me and my microphone.

I'm on fire when I'm singing, I'm completely in character, I use my sense memories, and every syllable of it is meant. It's a very special thing.

-- Sinéad O'Connor

Friday, November 11, 2022

Special Feature: Poems Selected for SocioPolitical Reflection on the Meaning(s) of Remembrance Day

War does not determine who is right – only who is left. -- Bertrand Russell

Perhaps the greatest tribute we can pay today to those who served, sacrificed, and died in war is to dedicate ourselves to finding other means than warfare to achieve our goals and settle our disagreements. --  Karl Nerenberg, "On Remembrance Day we can honour those who sacrificed without glorifying war"                                                                  
                                                                                        shifting shadows
                                                                                        on the Tomb of the Unknown Soldier
                                                                                        Remembrance Day 

                                                                                        Chen-ou Liu


The core meaning of what "remembrance" is very personal to so many people and what they've gone through. Do they have family members who served? Did they serve? But over time, Remembrance Day has become a performance of patriotism and nationalism other than a true Remembrance.

-- Dr. Walter Callaghan, PhD candidate in Medical Anthropology at the University of Toronto and a veteran who served in the Canadian Armed Forces, who does not wear a poppy because he believes the politicization of poppies has diminished what the poppy means to them.

And according to  Dr. Callaghan, the white poppy predates the red poppy. "The first instance of the white poppy dates back to the British-Russian Crimean War. The white poppy was a commemoration of the dead on both sides... It's not completely anti-war but it stands for peace. The idea is that we can't, as a humanity, keep doing this." 

The following is a set of selected poems for you to rethink the meaning(s), of Remembrance Day (For further discussion, see Yahoo!News, Nov. 10: "Do you wear a poppy for Remembrance Day?: Some call it a 'performance of patriotism', others a symbol of peace"): 


Collateral Damage for Susan Sontag

white poppy
pinned to her son's first suit
Remembrance Day

Inside the top drawer of her husband's wooden desk, there is an old photo album. It starts with pictures of toy trucks, toy soldiers, toy tanks, and other delights of boys from the neighborhood playing in the sunlight. It ends with the picture of a new military cemetery with a row of white crosses in winter mist.

Chen-ou Liu

fall leaves
burying toy soldiers
her small son

Fonda Bell Miller

talking to the tree
outside the window
about rain, about the war

Marlina Rinzen

news the war to end all wars rolling

Helen Buckingham
(Note: "The war to end all wars" was a term for the First World War. Originally idealistic, it is now used mainly sardonically)

all that remains --
dreams of jungle,
sand, sky

Marilyn Hazelton

dreading
the call that says
he’s gone ...
two petals left
on the last poppy

Kirsten Cliff Elliot

watercolor poppies
blowing across the field ...
why
is it so hard
to learn from history

Rebecca Drouilhet

To conclude today's Special Feature post, I would like to share with you the following haiku written on Remembrance Day, a day celebrated in our consumer society where there is a growing gap between the rich and the poor:

Thank God it's Friday!
the shadows of shoppers pass
over a homeless vet

Chen-ou

FYI: Tomb of the Unknown Soldier (Canada), Wikipedia: The Tomb of the Unknown Soldier (French: Tombe du Soldat Inconnu) is a tomb situated before the National War Memorial in Confederation Square, Ottawa, Ontario. The tomb is dedicated to Canadian service members, and holds the remains of an unidentified Canadian soldier who died in France during the First World War; selected from a Commonwealth War Grave near Vimy, in the vicinity where the Battle of Vimy Ridge took place...

Monday, May 30, 2022

Special Feature: Selected Haiku for Memorial Day

                                                                    for the soldiers who died in the longest war 
                                                                    in American history

                                                                    Memorial Day
                                                                    her only son's room
                                                                    quiet ... and quieter

                                                                    Chen-ou Liu

My Dear Friends and Readers:

Today's Special Feature post is inspired by and reflects on the following remark:

Times Leader's May 29 Editorial: This Memorial Day, the horrors of Ukraine remind us of ongoing risks

Most Memorial Days, the relentless carnage of that war seems a dusty memory, a century-old saga bearing scant relevance in our hi-speed Internet-of-things world with big data and all-on-demand. Surely such a global conflagration cannot happen again, we comfort ourselves, there is too much at stake for everyone.

But widespread war remains very much a beast barely caged, and this year we celebrate Memorial Day with immediacy of vigilance thrown in our faces thanks to the Russian war of choice unleashed in Ukraine.

No, our troops are not fighting, at least not formally (there are Americans serving among an estimated 20,000 people who have formed an “International Legion” in Ukraine’s defense). But we play a semantic shell game if we dismiss this horror as “not in our interest.”


war dead
exit out of a blue mathematics

Sugimura Seirinshi

only american deaths count the stars

Scott Metz

Memorial Day 
a layer of dust 
covers the urn 

H. Gene Murtha  

the road
to a war cemetery
morning glories

Chen-ou Liu

war memorial --
the silence in a hand
saluting

Carole Harrison

memorial day
the parade lengthens
by a new war

Gail Oare

news of war
wrapped on a fish --
the smell lingers

Carl Seguiban


To conclude today's special feature post, I would like to share with you the following haiku about the intense fighting in the Donbas region:

scattered sunflower seeds ...
busloads of children on the road
to the border

Chen-ou

Wednesday, March 23, 2022

Butterfly Dream: Roadside Memorial Haiku by Garry Eaton

English Original

roadside memorial
morning glories
ruffled by the wind

tinywords, 19:2, October 28 2019

Garry Eaton


Chinese Translation (Traditional)

路邊紀念碑
一叢牽牛花
被風吹亂

Chinese Translation (Simplified)

路边纪念碑
一丛牵牛花
被风吹乱


Bio Sketch

Garry Eaton was a Canadian poet from British Columbia. He started writing haiku in 2006 and was published occasionally in the major haiku magazines. He volunteered as the digital librarian for The Haiku Foundation Digital Library.

Monday, January 24, 2022

A Room of My Own: In-Breath and Out-Breath Haiku

For Thich Nhat Hanh, founder of engaged Buddhism and peace activist , who died at the age of 95 on January 22.

I don’t see why we have to say 'I will die,' because I can already see myself in you, in other people, and in future generations. -- Thich Nhat Hanh,  I Am Not in Here

wingbeats of a crane ...
mindful in-breath and out-breath
to go home

FYI: According to Thich Nhat Hanh, “Buddhism means to be awake — mindful of what is happening in one's body, feelings, mind and in the world. If you are awake, you cannot do otherwise than act compassionately to help relieve suffering you see around you. So Buddhism must be engaged in the world."


Added: Three Hundred and Fifth Entry, Coronavirus Poetry Diary

on a power line
the corvid's caw caw cawing ...
omicron winter


Added: Three Hundred and Sixth Entry

murder
upon murder
of corvids
descend in gathering dark ...
the unvaxxed and omicron rage

Saturday, January 15, 2022

Special Feature: Covid in the House of Old

My Dear Readers:

One of Canada’s first public commemorations of the pandemic, COVID in the House of Old, is a poignant multimedia installation. This exhibition acknowledges the "thousands of seniors who died in care homes or endured months of isolation, the staff who faced an overwhelming burden of care, and the families and friends unable to visit or help their loved ones." In Canada’s "first wave of the pandemic, 82 per cent of deaths took place in long-term care facilities. That’s 3,436 residents and six staff members dead," according to the National Institute of Aging.

In her January 12 interview with The Tyee, titled "Canadians Shouldn't Forget About This," Megan Davies, a professor and historian of health at York University, emphasizes, "Canada’s had the highest percentage of COVID deaths in long-term care among wealthy countries... I think of this as a national humanitarian crisis, to let all these vulnerable people get infected. ... The idea of a “good” death is valued across cultures, ... and many COVID patients in care homes had that “violated.”

Her multimedia exhibit, COVID in the House of Old, features "intimate audio stories of residents, their families and workers in long-term care facilities in B.C. and Ontario." Designed as a travelling exhibition, COVID in the House of Old takes viewers on a journey to connect with the personal stories of grief and frustration, care and love. And she concludes the interview with the following remark:

Canadians really shouldn’t forget about this, ... This is such a huge issue of injustice that happened right on our doorstep.

To conclude today's special feature post, I would like to share with you the following entries about my experiences, direct and indirect, of "Covid in the House of Old," which are taken from my Coronavirus Poetry Diary:

Tenth Entry, March 2, 2020

nursing home silhouette 
I air high-five my old friend
at the window

Thirty-Eighth Entry, April 26
written in response to CTV News on April 24, A National Disgrace: 1475 deaths in long-term care homes and nursing homes are made up of 67% of the total number of coronavirus deaths in Canada

strong wind warning
four more body bags wheeled out
of a nursing home

Forty-Fourth Entry, May 2

a tired nurse
opens the bedside window
my friend's voice
flows in with the night breeze
as his mother's eyes close 

Fifty-Eighth Entry, Ma15

Talk the Talk
To Justin Trudeau who addressed the House of Commons on saving the elderly from coronavirus on April 11, saying, They fought for us all those years ago. And today we fight for them. We will show ourselves to be worthy of this magnificent country they built.

at the briefing
the photogenic PM's mouth
opens and closes ...
a nursing home silhouetted
against the sunset sky

forty more deaths
slides across the bottom
of the screen ...
a nurse's voice falters,
this elder genocide

Seventy-Second Entry, May 29

a hu-hundred 
th-thousand deaths ...
his husky voice
echoes in a room
of the nursing home

Eightieth Entry, June 14

fallen stars ...
a tired nurse murmuring
this large number
of faceless, nameless
Covid19 deaths

Eighty-Second Entry, June 19

the rainstorm sky
in her grandmother's eyes
nursing home window

One Hundredth Entry, August 18

a late night call
from his grandmother
this stormy night
splits into before
and after the outbreak

One Hundred Forty-Second Entry, November 26
 
more restrictions
for Thanksgiving holiday?
bare branches 
tapping at the windows 
of a nursing home

One Hundred Seventy-Fifth Entry, February, 2021

sound of ice pellets
against nursing home windows ...
new cases surge

Stay safe and well

Chen-ou

Tuesday, November 30, 2021

Butterfly Dream: Beach Memorial Haiku by Suresh Babu

English Original

beach memorial ...
the war veteran sunbathes
without his prosthesis

Honourable Mention, 2021 John Bird Dreaming Award for Haiku 

Suresh Babu 


Chinese Translation (Traditional)

海灘追悼式 ...
一位退伍軍人曬日光浴
沒有他的義肢

Chinese Translation (Simplified)

海滩追悼式 ...
一位退伍军人晒日光浴
没有他的义肢


Bio Sketch

Suresh Babu is an English teacher in a residential school in India. His haiku, senryu and free-verse poetry have been published in numerous journals and anthologies. He also does minimalist drawings which accompany his poems. He was awarded the first prize in the International Haiku Contest organized by the Haiku Society of Constanta in the year 2020.

Monday, May 25, 2020

Butterfly Dream: Memorial Day Haiku by H. Gene Murtha

English Original

Memorial Day
a layer of dust
covers the urn

Biding Time: Selected Poems 2001-2013, 2013

H. Gene Murtha  

 

Chinese Translation (Traditional)

陣亡將士紀念日
一層灰塵
覆蓋骨灰盒

Chinese Translation (Simplified)


阵亡将士纪念日
一层灰尘
覆盖骨灰盒 


Bio Sketch

H. Gene Murtha, a naturalist and poet, sponsored and judged the first haiku contest for the inner city children of Camden, NJ., for the Virgilio Group, of which he was a lifetime member. He was widely published for his work in haikai literature from the USA to Japan.

Tuesday, September 17, 2019

Butterfly Dream: Hiroshima Dome Haiku by Dylan Hull

English Original

Hiroshima dome
A toddler wraps his fingers
Around a balloon

Dylan Hull


Chinese Translation (Traditional)

廣島原子彈紀念拱頂
一個幼兒的手指緊緊抓住
一個氣球

Chinese Translation (Simplified)

广岛原子弹纪念拱顶
一个幼儿的手指紧紧抓住
一个气球


Bio Sketch

Dylan Hull currently lives in Japan, where he teaches English on the Japan Exchange and Teaching Programme.

Monday, September 16, 2019

Butterfly Dream: Hiroshima Day Haiku by Fay Aoyagi

English Original

Hiroshima Day
multi-color threads
on the weaving machine

Editors’ Choice, The Heron's Nest, 10:4, December 2008

Fay Aoyagi


Chinese Translation (Traditional)

廣島日
織布機上
的彩色絲線

Chinese Translation (Simplified)

广岛日
织布机上
的彩色丝线


Bio Sketch

Fay Aoyagi (青柳飛)was born in Tokyo and immigrated to the U.S. in 1982. She is currently a member of Haiku Society of America and Haiku Poets of Northern California. She serves as an associate editor of The Heron's Nest.  She also writes in Japanese and belongs to two Japanese haiku groups; Ten'I (天為) and "Aki"(秋), and  she is a member of Haijin Kyokai (俳人協会).

Saturday, May 26, 2018

Butterfly Dream: Parade Haiku by Gail Oare

English Original

memorial day
the parade lengthens
by a new war

Prune Juice, July 2017

Gail Oare


Chinese Translation (Traditional)

國家紀念日
因為新的戰爭爆發
遊行隊伍加長

Chinese Translation (Simplified)

国家纪念日
因为新的战争爆发
游行队伍加长


Bio Sketch

Gail Oare, a retired science publishing executive, writes poetry, short fiction and nonfiction.  She lives near Pittsburgh.

Saturday, November 11, 2017

One Man's Maple Moon: Memorial Tanka by Tim Gardiner

English Original

a dark side
to the memorial
fading light
renders all
soldiers unknown

Skylark, 4:1, summer 2016

Tim Gardiner


Chinese Translation (Traditional)


在紀念碑
陰暗的那一面
逐漸消失的陽光
使得士兵們的名字
難以辨認

Chinese Translation (Simplified)

在纪念碑
阴暗的那一面
逐渐消失的阳光
使得士兵们的名字
难以辨认


Bio Sketch

Dr Tim Gardiner is an ecologist, poet and children's author from Manningtree in Essex, UK. His haiku have been published in literary magazines including Frogpond, Modern Haiku and The Heron's Nest. His first collection of poetry, Wilderness, was published by Brambleby Books in 2015. Tim's debut children's book, The Voyage of the Queen Bee, was published by the Bumblebee Conservation Trust in 2016.

Tuesday, January 17, 2017

One Man's Maple Moon: Remembrance Tanka by Marilyn Ashbaugh

English Original

moon wishes
in  the crescent’s curve
a tear
in remembrance
of my grandmother

Marilyn Ashbaugh


Chinese Translation (Traditional)

對月亮許願
蛾眉月曲線上
的一滴眼淚
以紀念
我的祖母

Chinese Translation (Simplified)

对月亮许愿
蛾眉月曲线上
的一滴眼泪
以纪念
我的祖母 


Bio Sketch

Marilyn Ashbaugh is a poet, organic master gardener, and nature photographer.  Her poems have appeared in regional and national anthologies. She makes her home in a small village near the shores of Lake Michigan, USA.

Monday, September 12, 2016

A Room of My Own: After 9/11 Tanka

inspired by the 9/11  Memorial Fountain

at the footprint
of each tower that once stood
vast emptiness
( loss and grief ) surrounded
by four walls of water



Note: Below is excerpted from my "Poet and Tanka" essay, titled The Journey Itself Is Home, which was first published in Ribbons, 12:2, Spring/Summer 2016:

...  Tanka is a short form poetry, and it requires the poet to have acute observation skills and a set of literary techniques to distill his/her feeling, thought, or experience to its essence. In his study of Masaoka Shiki's life and work, The Winter Sun Shines In, Donald Keene makes a similar point: “A haiku or a tanka without rhetoric was likely to be no more than a brief observation without poetic tension or illumination" (p. 57)....

Punctuation marks to thematically and emotionally highlight the two contrasting parts (outer world versus inner thought) of the poem to offer more dreaming room for the reader’s imagination.

I open windows
(another day no poem
written down,
only blocks of dead words)
and let the spring breeze in

Gusts, 20, Fall/Winter 2014

Friday, November 20, 2015

Butterfly Dream: Wishing Lamp Haiku by Archana Kapoor Nagpal

English Original

new moon --
another wishing lamp
on father’s grave

Modern Haiku, 45:3, Fall 2014

Archana Kapoor Nagpal


Chinese Translation (Traditional)

新月 --
另一台許願燈
在父親的墳上

Chinese Translation (Simplified)

新月 --
另一台许愿灯
在父亲的坟上


Bio Sketch

Archana Kapoor Nagpal is an internationally published author of 7 books, and her winning stories are now part of international anthologies. She writes inspirational content for corporate newsletters, websites, blogs and print publications. Her inspirational poems touch every area of a person's life. She enjoys writing haiku and tanka as well. Visit her Amazon Author Profile to know more about her.

Friday, October 30, 2015

One Man's Maple Moon: Auschwitz Tanka by Sonam Chhoki

English Original

unable
to buy postcards
in Auschwitz
I pick a fallen leaf
fold it into my notebook

A Hundred Gourds, 3:2, March 2014

Sonam Chhoki


Chinese Translation (Traditional)


在奧斯威辛集中營
無法買到
一張明信片
我揀起一片落葉
將它折疊放入筆記本中

Chinese Translation (Simplified)


在奥斯威辛集中营
无法买到
一张明信片
我拣起一片落叶
将它折叠放入笔记本中


Bio Sketch

Born and raised in the eastern Himalayan kingdom of Bhutan, Sonam Chhoki has been writing Japanese short forms of haiku, tanka and haibun for about 7 years. These forms resonate with her Tibetan Buddhist upbringing and provide the perfect medium for the exploration of  her country's rich ritual, social and cultural heritage. She is inspired by her father, Sonam Gyamtsho, the architect of Bhutan's non-monastic modern education. Her haiku, tanka and haibun have been published in poetry journals and anthologies in Australia, Canada, Ireland, Japan, UK and US.

Friday, September 11, 2015

Poetic Musings: An Unofficial Story of 9-11

An Unofficial Story
for Oskar

ink-black:
smoke trails a life
from the north tower

Another sleepless night. Winter moonlight on the empty side of her bed. From the bedside table, she picks up A Place of Remembrance: The Official Photo Book of 9/11. She stares at the book for a moment. Tears roll down her face as she rips out some of the pages. With a sigh, she puts the torn-out pages in reverse order. When she flips through them, dozens of people are flying through the windows back into the building.

Editor's Choice Haibun, Cattails, May, 2015

Chen-ou Liu



The power of Chen-ou Liu’s haibun, An Unofficial Story for Oskar lies in its closing sentence: “When she flips through them, dozens of people are flying through the windows back into the building.” It is amazingly evocative image that has echoes of redemption and freedom from the tyranny of time.

The power of Chen-ou Liu’s haibun, An Unofficial Story for Oskar lies in its closing sentence ... It is amazingly evocative image that has echoes of redemption and freedom from the tyranny of time.

Visually, thematically, emotionally, and structurally speaking,  An Unofficial Story for Oskaris, a personal story behind one of the most powerful images of 9/11, is framed by the iconic image of one of  the centerpieces of  the World Trade Center -- the North Tower (One World Trade Center) -- on fire.

ink-black:
smoke trails a life
from the north tower

... When she flips through them, dozens of people are flying through the windows back into the building.

Evaluated in the context of the literature of 9/11 (such as Poetry after 9/11: An Anthology of New York Poets), the Twin Towers (the North Tower, One World Trade Center, and the South Tower, Two World Trade Center) function more like an example of Japanese utamakura (poetic places, a category of poetic words involving place names that allow for greater allusions and intertextuality across Japanese poems), mainly used to conjure a memory, thought, image or association with the place referred to. For example,

twin towers
repeating their absence
day after day

Bill Kenney

two light beams shining
where there were once twin towers –
my son, my daughter

Jack Galmitz

(Note: I will further discuss how to effectively use the rhetorical device of utamakura in a forthcoming "To the Lighthouse" post)

Saturday, February 28, 2015

Butterfly Dream: Memorial Candles Haiku by Bruce Ross

English Original

a lingering cold
left in the dark room
memorial candles

Bruce Ross


Chinese Translation (Traditional)

揮之不去的感冒
留在黑暗房間內
的追悼蠟燭

Chinese Translation (Simplified)

挥之不去的感冒
留在黑暗房间内
的追悼蜡烛


Bio Sketch

Bruce Ross is editor of Haiku Moment, An Anthology of Contemporary North American Haiku and main editor of the forthcoming A Vast Sky, An Anthology of Contemporary World Haiku.